The Fence and the Punk with a Knife

In Illyrio’s Plan I went over some aspects of Illyrio’s story and claims. One of the biggest issues with understanding both Varys and Illyrio is that George has given us very little info on these men, and when these two men reveal something about themselves, it is almost always from a point of view of a character who mistrusts them: Dany, Eddard, Arya, Tyrion, … And we should distrust them to an extent. We have evidence that they plot war, use other people as tools for their own ends, and are not always forthcomnig with the full truth. Not only does George allow for large gaps for the reader to fill in the blanks. He has us question the veracity of anything they reveal about themselves.

Cherry Picking

Beneath his window six cherry trees stood sentinel around a marble pool, their slender branches bare and brown. A naked boy stood on the water, poised to duel with a bravo’s blade in hand. He was lithe and handsome, no older than sixteen, with straight blond hair that brushed his shoulders. So lifelike did he seem that it took the dwarf a long moment to realize he was made of painted marble, though his sword shimmered like true steel. (aDwD, Tyrion I).

Take the statue at Illyrio’s pool that Tyrion pays attention to for example. It became integral to the Blackfyre theory for its six cherry trees. So, that when Illyrio claims it portrays him when he was still youthful and slim and at his best as a bravo, a lot of readers dismiss it as a lie, and insist that it must be a statue of Aegon instead with his six cherry picked companions on the Shy Maid: JonCon, Lemore, Haldon, Duck, Ysilla and Yandry. The Blackfyre theory linked the cherry trees to the black cherries with sweet cream Illyrio eats  and the cherries at the wedding feast at Whitewalls, where a secret Blackfyre hopes to rally lords for his claim, in A Knight of Seven Kingdoms, The Mysteryy Knight.

But it also ignores the mention of cherries or cherry with other characters. That does not mean there is no symbolism behind them, and that the interpretation is wrong. It just means that the Blackfyre theory itself is cherry picking, well, the cherries. They come in red, in black, in white, dried, with lemons, or apples. And there are other obvious wordplay not being considered. In the Mystery Knight, the feeding of cherries by the bride to her husband at the wedding is an innuendo to “popping her cherry“. Illyrio eating black cherries then could mean an innuendo to Illyrio loving Serra Blackfyre. Nor was it Aegon who cherry picked his companions, but Illyrio, and so the statue would then be Illyrio after all.

Overall, readers cherry pick what to believe what little Illyrio and Varys tell about themselves. If something does not fit the reader dismisses it as a lie without any evidence for the lie. But then you can make them be anything or anyone, except what they and George are telling you. Because when they lie about something, George usually reveals that. And when they tell the truth, we will see consistent and quite logical behavior from them.

Instead of focusing on cherries, perhaps we should compare what the statue depicts: a dueling bravo. Who else do we know in the books who was a bravo? Of course, Syrio Forel.

Syrio Forel and Arya Stark, by Luis Borgia

“Watching is not seeing, dead girl. The water dancer sees. Come, put down the sword, it is time for listening now.” (aGoT, Arya IV)

The first novel introduces us to Syrio Forel, once first sword to the Sealord of Braavos, where bravos duel at a moon pool. And he tells Arya the story on how he was picked by the Sealord to be the first, over all the other bravos that were stronger, faster, younger, …

“On the day I am speaking of, the first sword was newly dead, and the Sealord sent for me. Many bravos had come to him, and as many had been sent away, none could say why. When I came into his presence, he was seated, and in his lap was a fat yellow cat. He told me that one of his captains had brought the beast to him, from an island beyond the sunrise. ‘Have you ever seen her like?’ he asked of me. “And to him I said, ‘Each night in the alleys of Braavos I see a thousand like him,’ and the Sealord laughed, and that day I was named the first sword.” (aGoT, Arya IV)

Illyrio is a fat yellow cat, no?

“The cat was an ordinary cat, no more. The others expected a fabulous beast, so that is what they saw. How large it was, they said. It was no larger than any other cat, only fat from indolence, for the Sealord fed it from his own table. What curious small ears, they said. Its ears had been chewed away in kitten fights. And it was plainly a tomcat, yet the Sealord said ‘her,’ and that is what the others saw. Are you hearing?”
Arya thought about it. “You saw what was there.” (aGoT, Arya IV)

Take all the fanciful intricate exotic potential identities away from Illyrio and what we have is just an alley cat. We can come to a coherent, albeit speculative and diabolical, background story, choices and motive if we do take Illyrio’s words about himself at face value. It only becomes inconsistent, when we dismiss it.

One of the biggest reveals in that regard is the background story that Illyrio tells Tyrion on how team Valyrio operated in the criminal world of Pentos as street kids (plain old alley cat): golden hearted thieves who steal from lesser thieves (Varys) and return the stolen goods to the original owner for a fee (Illyrio). It seems almost too good to be true.

Now see what is there! Not just that they were street kids surviving. Illyrio portrays it as a public service, but it is a crime. What is the legal term for this type of crime? It is called fencing! A fence is a middle man who buys stolen goods from a thief and then sells it for profit to the public, while protecting the identity of the thief or even that the goods were stolen at all. Team Valyrio is still operating that way, just on a much bigger and political scale.

Now look through Tyrion’s eyes at the statue. What are we looking at? What else is called fencing? Swordfighting, of course! And it specifically implies the type of swordfighting that in-world is referred to as the water dance of a bravo in both Pentos and Braavos. Not the brute hacking, hawing and hammering of the knight’s iron dance.

“Now we will begin the dance. Remember, child, this is not the iron dance of Westeros we are learning, the knight’s dance, hacking and hammering, no. This is the bravo’s dance, the water dance, swift and sudden.” (aGoT, Arya IV)

That iron dance we witness against the water dance when Cersei’s soldiers and knights attempt to capture Arya.

The fallen men were getting up. Syrio kicked one in the face and snatched the steel cap off the other’s head. The dagger man stabbed at him. Syrio caught the thrust in the helmet and shattered the man’s kneecap with his stick. The last red cloak shouted a curse and charged, hacking down with both hands on his sword. Syrio rolled right, and the butcher’s cut caught the helmetless man between neck and shoulder as he struggled to his knees. The longsword crunched through mail and leather and flesh. The man on his knees shrieked. Before his killer could wrench free his blade, Syrio jabbed him in the apple of his throat. The guardsman gave a choked cry and staggered back, clutching at his neck, his face blackening. (aGoT, Arya IV)

Tywin is a butcher of course, and so is Littlefinger, whose ancestry is ironically Braavos.

The device painted on the shield was one Sansa did not know; a grey stone head with fiery eyes, upon a light green field. “My grandfather’s shield,” Petyr explained when he saw her gazing at it. “His own father was born in Braavos and came to the Vale as a sellsword in the hire of Lord Corbray, so my grandfather took the head of the Titan as his sigil when he was knighted.” (aSoS, Sansa VI)

Petyr’s great-grandfather was a Braavosi sellsword who at some point entered the service of Lord Corbray. Not so incidentally perhaps, Littlefinger’s ancestor lived through or fought in the last war between Braavos and Pentos in 209 AC. The son of the Braavosi sellsword became a hedge knight and took the Titan of Braavos as sigil.

That seemed to amuse the lord of cheese no end. He slapped a meaty thigh and said, “You Westerosi are all the same. You sew some beast upon a scrap of silk, and suddenly you are all lions or dragons or eagles. I can take you to a real lion, my little friend. The prince keeps a pride in his menagerie. Would you like to share a cage with them?”
The lords of the Seven Kingdoms did make rather much of their sigils, Tyrion had to admit. “Very well,” he conceded. “A Lannister is not a lion.” (aDwD, Tyrion I)

Illyrio’s reference to the menagerie of the Prince of Pentos circles back to Syrio’s fat yellow tomcat of the Sealord’s. Like a good bravo, Illyrio sees through the symbolism, calls it scraps of silk, and compares it to another cat – a real big one now – that you do not want to share a cage with, lest you end up being its meal. That is the answer to the Baelish sigil. Behind the mockingbird is a Braavosi who was never a fence, but a swellsword butcher who got dubbed a knight with a sigil. Littlefinger is not a bravo! He is a racketeer (in the narrow sense of that word).

Petyr Baelish, by Josu Hernaiz

Jon Arryn gave Littlefinger the customs at Gilltown in 289 AC to please Lysa Arryn. And he brought in three times as much as any of the other collectors. Dealing with a spendthrift king, Jon Arryn brought Littlefinger for cout for his talent. Within three years, he rose to master of coin and became a member of the small council. Lysa remembers it as Littlefinger having been brought to court by Jon Arryn to be master of coin. That suggests, he’s been in that position since 292 AC.

Oh, he was clever. He did not simply collect the gold and lock it in a treasure vault, no. He paid the king’s debts in promises, and put the king’s gold to work. He bought wagons, shops, ships, houses. He bought grain when it was plentiful and sold bread when it was scarce. He bought wool from the north and linen from the south and lace from Lys, stored it, moved it, dyed it, sold it. The golden dragons bred and multiplied, and Littlefinger lent them out and brought them home with hatchlings. (aCoK, Tyrion IV)

In the proposal that Illyrio intends to cause a bank run on the Iron Bank to collapse the Braavosi economy, John Suburbs rightfully questions how Petyr Baelish managed to triple the customs’ income of Gulltown and King’s Landing without crippling the economy. The argument goes as follows. Sure, Petyr Baelish embezzles and cooks the books, but that does not explain how Petyr Baelish – who only owns a tower, beach rocks and sheep pellets – could acquire the money to start his financial smokescreen in Gulltown. So, the argument concludes with, Littlefinger could only do this with a financial backer. And that that must be Illyrio.

But Petyr did not require much to start his racket. Lysa helped him get a leg up into his first post, and she always backed him. How did Littlefinger reward Ser Dontos again for whisking Sansa away from the Purple Wedding?

Petyr Baelish put a hand on the rail. “But first you’ll want your payment. Ten thousand  dragons, was it?”
“Ten thousand.” Dontos rubbed his mouth with the back of his hand. “As you promised, my lord.”
“Ser Lothor, the reward.”
Lothor Brune dipped his torch. Three men stepped to the gunwale, raised crossbows, fired. One bolt took Dontos in the chest as he looked up, punching through the left crown on his surcoat. The others ripped into throat and belly. It happened so quickly neither Dontos nor Sansa had time to cry out. When it was done, Lothor Brune tossed the torch down on top of the corpse. The little boat was blazing fiercely as the galley moved away. (aSoS, Sansa V)

Petyr hires compromized people on the promise of gold, but murders them when the time comes to pay up. Littlefinger murdered, stole, extorted, threatened and lied his way into money, using brutes to strongarm or kill the gullible or defenceless who did not pay for his discretion or protection. A criminal does not need a secret large investor, if he can racketeer his way in owning ships, shops, and warehouses.

Who exactly hires the strongarms? Not Littlefinger. A customs chief in Gulltown does not have to hire brutes on his own dime. No, he gets to pick and choose whose names get on the list for hire on Lord Grafton of Gulltown’s dime, or the rich Gulltown Arryns who wed merchants. His list of names would be either useless peniless butchers who want in on the racket, or a rich but shady merchant paying a bribe to get a respectful officer positions. The Gulltown Arryns would not mind seeing merchant competition being shaken down. And if Lysa Arryn’s friend was willing to do it for them … You get the picture, right? Less than couth, they are. So, boarish, rude and vulgar, right? And Lord Grafton of Gulltown is a good friend of Petyr. It was even easier in King’s Landing, where the treasury pays for the Gold Cloaks doing the “policing”, while a certain butcher’s son was the Commander of the Gold Cloaks.

The look the king gave Slynt was cold. “Janos was hardly the first gold cloak ever to take a bribe, I grant you, but he may have been the first commander to fatten his purse by selling places and promotions. By the end he must have had half the officers in the City Watch paying him part of their wages. Isn’t that so, Janos?” […] “Two men who were prepared to come forward died suddenly on their rounds.” Stannis narrowed his eyes. “Do not trifle with me, my lord. I saw the proof Jon Arryn laid before the small council. If I had been king you would have lost more than your office, I promise you, but Robert shrugged away your little lapses. ‘They all steal,’ I recall him saying. ‘Better a thief we know than one we don’t, the next man might be worse.’ Lord Petyr’s words in my brother’s mouth, I’ll warrant. Littlefinger had a nose for gold, and I’m certain he arranged matters so the crown profited as much from your corruption as you did yourself.” (aSoS, Samwell V)

Lysa Arryn’s letters of confidence opened doors, and anyone who believed they could profit from Littlefinger’s racket would have given him what he needed. Littlefinger never needed someone like Illyrio to amass his fortune, with what we have on page. If team Valyrio were alleycats, then Littlefinger was a punk with a knife.

Littlefinger hefted the knife lightly in his hand, testing the grip. He flipped it in the air, caught it again with his other hand. “Such sweet balance. You want to find the owner, is that the reason for this visit? You have no need of Ser Aron for that, my lady. You should have come to me.” […] He grasped the blade between thumb and forefinger, drew it back over his shoulder, and threw it across the room with a practiced flick of his wrist. It struck the door and buried itself deep in the oak, quivering. “It’s mine.” (aGoT, Catelyn IV)

Dragon Eggs Returned

Now that I have covered the basics of the different methods and type of crimes they had a talent for, let us revisit one of Illyrio’s major gift to Dany – the dragon eggs

When she opened it, she found piles of the finest velvets and damasks the Free Cities could produce … and resting on top, nestled in the soft cloth, three huge eggs. Dany gasped. […] “What are they?” she asked, her voice hushed and full of wonder.
“Dragon’s eggs, from the Shadow Lands beyond Asshai,” said Magister Illyrio. “The eons have turned them to stone, yet still they burn bright with beauty.” (aGoT, Daenerys II)

Black Dragon Egg, by Julepe for Fantasy Flight Games

In the original draft for aGoT, Dany finds them in the wilderness outside of Vaes Dothrak, after killing Drogo. It was reworked into Illyrio gifting them to her. In aDwD of 2011, George reveals Illyrio’s role as a fence, in particular that of returning stolen goods back to the owner or victim.

Varys spied on lesser thieves and took their takings. I offered my help to their victims, promising to recover their valuables for a fee. (aDwD, Tyrion II)

This reframes Illyrio’s gift as returning lost or stolen dragon eggs back to a Targaryen descendant, the sole rightful owner of any dragon egg laid since the Doom of Valyria.

A fence protects the identity of the thief or buyer of stolen goods, and portrays themselves as having come to the stolen goods through legitimate means. In this gardening way, George allows for Illyrio’s claim about Ashai to be a typical fence lie. And not being kept in hatcheries of a volcano, like Dragonstone, petrifies dragon eggs, and whatever made the eggs after the Dance not hatch properly anymore that petrifies. Princess Rhaena Targaryen’s Dreamfyre laid clutches of eggs thrice during Rhaena’s stay at Fair Isle, twice in 47 AC and another clutch in 49-50 AC. None hatched until Rhaena finally moved to Dragonstone in 51 AC.

The eggs that Dreamfyre had laid on Fair Isle had all hatched once on Dragonstone (Fire & Blood – Birth, Death and Betrayal under Jaehaerys I)

When Elissa Farman made off with three dragon eggs from Dragonstone, in order to buy herself ships to sail the Sunset Sea, Grand Maester Benifer claimed Jaehaerys I need not fear those eggs would hatch by anyone who would buy them in the Free Cities, away from Dragonstone.

 “It was gold she wanted, gold to build a ship. She will sell the eggs. They are worth—”
“—a fleet of ships.” Jaehaerys had received his sister in his solar, with only Grand Maester Benifer present to bear witness to what was said . “If those eggs should hatch, there will be another dragonlord in the world, one not of our own house.”
“They may not hatch,” Benifer said. “Not away from Dragonstone. The heat…it is known, some dragon eggs simply turn to stone.” (Fire and Blood – Birth, Death and Betrayal under Jaehaerys I)

So, just because Dany’s eggs seemed petrified they are not necessarily eons old. And if that claim of Illyrio can be wrong, so can the other about Asshai.

Elissa Farman “sailed to Pentos” after Driftmark, and “there the trail went cold.” (Fire & Blood – Birth, Death and Betrayal under Jaehaerys I). And Jaehaerys I jokes to Benifer after the claim they will turn to stone that “some spicemonger in Pentos will find himself possessed of three very costly stones“. He adds that “…the birth of three young dragons is not a thing that can easily be kept secret.” George RR Martin is such a tease here! Because less than 250 years later, the Pentoshi spicemonger Illyrio ends up possessing three very costly stones, which hatch at the edge of the Dothraki Sea (the far end of the civilised world). And once Dany and her hatchlings reach Qarth, the news sails around the world.

Jaehaerys to Rhaena: “You wanted Dragonstone and I gave it to you, and you brought this woman there. This thief.” […] “Should the dragons turn up, anywhere from here to Yi Ti, we will demand their return. They were stolen from us, they are ours by right. […].” (Fire & Blood – Birth, Death and Betrayal under Jaehaerys I)

Rego Draz, by Lopata Four

George teases us too with the Pentoshi master of coin, Rego Draz. He was born with nothing but still became the richest man of Pentos. Unlike Illyrio, he was denied a seat with the magisters, but otherwise he is very much Illyrio’s parallel, flaunting silken robes, ruby rings and using a gilded palanquin. Rego became Jaehaerys’s master-of-coin in 50 AC and gained the title of Lord. Like Varys it was merely a title, without lands or castle or men. In other words, Rego Draz is a mix of Varys and Illyrio in one person, taking the role of Varys in searching for information on both Elissa Farman’s whereabouts as well as the stolen goods, and being quite adept with the treasury.

Benifer, acting through the Pentoshi master of coin, who had agents in every port, reached out across the narrow sea as the king had commanded…“paying good coin to bad men” (in the words of Rego Draz) for any news of dragon eggs, dragons, or Elissa Farman. (Fire & Blood – Birth, Death and Betrayal under Jaehaerys I)

Two years later, Rego and Jaehaerys figure out that Elissa sold the stolen eggs to the Sealord of Braavos to finance the building of Sun Chaser, a ship that could sail deep waters without oars, with which she sailed west into the sunset sea.

We know now that Lady Elissa made her way to Braavos after Pentos, though not before taking on a new name [Alys Westhill]. […] Under that name, she secured an audience with the Sealord of Braavos. The Sealord’s menagerie was far famed, and he was glad to buy the dragon eggs. (Fire & Blood – Birth, Death and Betrayal under Jaehaerys I)

The Iron Bank denied any knowledge of these eggs, while the Sealord only spoke in hypotheticals, so that Braavos could not be accused of knowingly having bought stolen dragon eggs. Just the perfect set up for team Valyrio’s fences!

The Sealord said, “I admit to nothing. If I was in possession of such eggs, however, it could only be because I purchased them.”
“From a thief.”
“How shall that be proved? Has this thief been seized, tried, found guilty? Braavos is a city of laws. Who is the rightful owner of these eggs? Can they show me proof of ownership?” […] “I do not have these eggs, of course,” the Sealord said. “You cannot prove elsewise. If I did have them, however…well, until they hatch, they are but stones. Would your king begrudge me three pretty stones? Now, if I had three…chickens…I might understand his concern. I do admire your Jaehaerys, though. He is a great improvement on his uncle, and Braavos does not wish to see him so unhappy. So instead of stones, let me offer…gold.” (Fire and Blood – Jaehaerys and Alysanne, Their Triumphs and Tragedies)

Septon Barth did not manage to recover the stolend eggs. Instead a deal was struck, where the Sealord paid gold and urged the Iron Bank to forgive the Crown’s remaining debt to them, cutting it in half.

“And all at the cost of three stones,” Barth told the king.
“The Sealord had best hope that they remain stones,” Jaehaerys said. “If If I should hear so much as a whisper of…chickens…his palace will be the first to burn.” (Fire & Blood – Jaehaerys and Alysanne, Their Triumphs and Tragedies)

The “theory” provokes many to question how Illyrio could have known about them and how he would have acquired them. But finding out about them would not be Illyrio’s role. In the Valyrio-team that is Varys’s task. So, the question should be “How did Varys find out?” The answer could be surprisingly simple. Varys would have discovered both the existence and the whereabouts of Elissa Farman’s eggs in the same sources that Gyldayn used to write Fire & Blood. It is quite easy for us to overlook the fact that Fire & Blood is an existing history book in Westeros. According to Elio Garciá (Ran on westeros.org) Archmaester Gyldayn lived into Robert I Baratheon’s reign. Maester Yandel used his Targaryen histories (published and unpublished) as his source for the World book.

Here follows an account of the reign of House Targaryen, from Aegon the Conqueror to Aerys the Mad King. Many are the maesters who have written on these matters, and the knowledge they have fashioned informs much of what will follow. But in one thing, I have taken a liberty: the account of Aegon’s Conquest is not my own work but something lately shared with me in the Citadel, an as-yet complete work by the Archmaester Gyldayn. This fragment — part of a greater work that is intended as a history of the Targaryen kings — was first brought to my attention by the Archmaester Perestan, who regards his efforts (and his prose) highly. […] I have placed it here, with Gyldayn’s blessing […]” (aWoIaF – The Reign of the Dragons, retconned version)

Initially, Archmaester Gyldayn lived during the tragic event of Summerhal and the end of Aegon V’s reign. But then he could not have been alive during Robert’s dynasty. George wanted to continue to use Gyldayn’s voice for part 2 of Fire & Blood. So, Yandel’s reference to Gyldayn’s work has been retconned in a nutshell to “Gyldayn still writing his history (part 2) in 300 AC as well as sharing what he is working on with Yandel.”

Gyldayn’s sources for the retelling of Elissa Farman’s theft, about Rego, private conversations between Jaehaerys, Rhaena and Benifer would not come only from the Citadel, but also on Dragonstone and the red keep. In that way, Rego Draz being a contemporary of Elissa Farman and her trail going cold in Pentos becomes more than an amusing parallel. Reading up on such a man would pique Varys’s curiosity, if only to learn more about how he fared and his eventual fate. Not well, he was murdered in the streets of King’s Landing during an epidemy of the Shivers around the changing of the years in 59-60 AC by starving and drunken angry smallfolk.

Amidst the chaos, His Grace would lose another of his lords, not to the Shivers but to ignorance and hate. Rego Draz had never taken up residence in the Red Keep, though there was ample room for him there, and the king had made the offer many times. The Pentoshi preferred his own manse on the Street of Silk, with the Dragonpit looming above him atop the Hill of Rhaenys. […] After ten years in service to the Iron Throne, Lord Rego had grown quite stout, and no longer chose to ride. Instead he moved from manse to castle and back again in an ornate gilded palanquin. Unwisely, his route took him through the reeking heart of Flea Bottom, the foulest and most lawless district of the city. (Fire & Blood – Jaehaerys and Alysanne, Their Triumphs and Tragedies)

Rego lived in a mansion on the Street of Silk, not the red keep. He traveled between both in his gilded palanquin. During a harsh winter, an epidemic, and prices rising for bread, the foreign master of coin was an easy target. So, when a drunk, starving and angry mob noticed his palanquin, they attacked it and then bashed his skull in (hello Pisswater Prince) and cut off his fingers for his rings.

When his lordship raised his hands to ward off the blows raining down on him, gold and gemstones glittered on every finger, and the attack grew more frenzied still. A woman shouted, “He’s Pentoshi. Them’s the bastards brung the Shivers here.” One of the men pried a stone up from the king’s newly cobbled street and brought it down upon Lord Rego’s head again and again, until only a red mash of blood and bone and brains remained. Thus died the Lord of Air, his skull crushed by one of the very cobblestones he had helped the king lay down. Even then, his assailants were not done with him. Before they ran, they ripped off his fine clothes and cut off all his fingers to lay claim to his rings. (Fire and Blood – Jaehaerys and Alysanne, Their Triumphs and Tragedies)

Varys makes no such mistakes himself. He has a room in the red keep (and an undergaoler cell). He moves about the districts of the city in various disguises, blending in, and wearing protective gear, including his head. And Varys is effectively armed with a dirk and shortsword!

Varys did not look at all like himself. A scarred face and a stubble of dark beard showed under his spiked steel cap, and he wore mail over boiled leather, dirk and shortsword at his belt. […] Even his walk is different, Tyrion observed. The scent of sour wine and garlic clung to Varys instead of lavender. (aCoK, Tyrion III)

He is not just unrecognizable to Cersei’s or Littlefinger’s spies, but to the potential citizens of the city, especially during times when a bread riot is a real risk.

“The work I do does not permit me to travel the streets amid a column of knights. So when I leave the castle, I adopt more suitable guises, and thus live to serve you longer.” (aCoK, Tyrion III)

And if Varys read up on Rego Draz, his life and career, he would stumble on the story of the stolen dragon eggs.

I would go even one step further. It is possible that Aerys II hired Varys initially to find the stolen eggs, exactly becausre Farman’s trail went cold after Pentos. Varys’s career in King’s Landing starts around the period when the Mad King desired to hatch dragon eggs, after the Defiance of Duskendale.

Lord Darklyn would never have dared defy him if he had been a dragonrider, Aerys reasoned. His attempts to bring forth dragons from eggs found in the depths of Dragonstone (some so old that they had turned to stone) yielded naught, however. (tWoIaF – The Targaryen Kings: Aerys II)

As ever before, such a desire led to gathering knowledge on (a) where to find dragon eggs and (b) hatching lore. After Summerhal, and the dragons long gone, the Mad King had to dig deep beneath the volcano of Dragnostone to find a few petrified eggs. He would have wanted more, likely.

Ellisa’s theft of the dragon eggs was not common knowledge, and the arrangement between Jaehaerys I and the Sealord of Braavos even less so. Such a state secret ends up obscured, forgotten and lost. The information was not conveniently put together in a history book before Fire & Blood, yet. So, the search of records mentioning dragon eggs would have been far likelier to uncover Bennifer’s order to Rego to inquire about the dragon eggs Elissa stole and her trail going cold after Pentos. What better way to try and find nearly 230 year lost dragon eggs believed to have been sold in Pentos (erroneously) than by hiring the man fabled in Pentos of finding out any secret, Varys? The man thieves sell to, before his partner returns it to the rightful owner for a fee. Even if Aerys II soon lost interest, Varys could have continued the search, if only out of professional pride. And once, he figured they were in Braavos, Illyrio’s job was to retrieve them. It took both just several years to complete the job.

The Dragon Eggs gifted to Daenerys at her wedding, by Tommy Patterson for Issue 3 of the A Game of Thrones comic adaption.

In the end, stolen or bought, Illyrio gifts the Targaryens dragon eggs that hatch “into chickens”, and therefore team Valyrio was an instrumental cog in the magical wheel for the return of Targaryen dragons.

And the fee?

“It is not a matter of gold or horses. This is bloodmagic, lady. Only death may pay for life.” (aGoT, Daenerys VIII)

“No,” Mirri Maz Duur said. “That was a lie you told yourself. You knew the price.”
Had she? Had she? If I look back I am lost. “The price was paid,” Dany said. “The horse, my child, Quaro and Qotho, Haggo and Cohollo. The price was paid and paid and paid.” (aGoT, Daenerys IX)

The Dagger Man

Varys is the one who deals with Littlefinger on page, not Illyrio. So, assessing the dynamics of both men from their different crime angles and methods helps gain clarity.

A lesser thief

“What treasury is that?” Littlefinger replied with a twist of his mouth. “Spare me the foolishness, Maester. You know as well as I that the treasury has been empty for years. I shall have to borrow the money. No doubt the Lannisters will be accommodating. We owe Lord Tywin some three million dragons at present, what matter another hundred thousand?”
Ned was stunned. “Are you claiming that the Crown is three million gold pieces in debt?”
“The Crown is more than six million gold pieces in debt, Lord Stark. The Lannisters are the biggest part of it, but we have also borrowed from Lord Tyrell, the Iron Bank of Braavos, and several Tyroshi trading cartels. Of late I’ve had to turn to the Faith. The High Septon haggles worse than a Dornish fishmonger.”
Ned was aghast. “Aerys Targaryen left a treasury flowing with gold. How could you let this happen?” (aGoT, Eddard IV)

Varys knows finances and money matters as well as Illyrio. He would not have been as successful in Pentos otherwise. Varys simply has a bigger passion for discovery, while Illyrio has a passion for the clink of gold. With so many spies and skill in reading ledgers, letters, books and papers, Varys must have been aware that Littlefinger was cooking the books, enriching himseelf with embezzlement and bribery, for many years. In other words, Varys allowed Littlefinger to steal.

Overall, it is to team Valyrio’s benefit that Tywin Lannister and the Iron Bank funded Robert’s bottomless money pit. In their eyes, House Lannister was banking on a temporary dynasty and would be poorer for it. Meanwhile the Iron Bank would have its due: when a dynasty cannot or does not pay, they back a rival.

When princes failed to repay the Iron Bank, new princes sprang up from nowhere and took their thrones.(aDwD, Jon IX)

Indeed, once Cersei stopped repaying the loan to the Iron Bank, the Braavosi bank seeks out her rival Stannis Baratheon. Their envoy, Tycho Nestorys plods through snowstorms from Castle Black all the way to a tower in the Wolfswood at ice lakes some way from Winterfell and have Stannis sign the crown’s loan contract with his own blood as well as giving him an open credit line to get whatever he needs to take the Iron Throne.

When Cersei decides Westeros should have its own bank and that it should be a Lannister bank, combined with Tywin the main lender to the crown, George is framing House Lannister into putting a different kind of target on their back. The Iron Bank deals with their own financial rivals via Faceless Men. Or at least it is heavily suggested with what befell the Rogare bank of Lys.

In the end, it was Larra Rogare and her wealthy, ambitious family who helped break the power of the regents and, almost certainly, that of Lord Peake. It was an inadvertent role they played, however, caught up as they were in the Lyseni Spring. This was a time when the Rogare Bank waxed greater than the Iron Bank, (tWoIaF – The Targaryen Kings: Aegon III)

Larra Rogarde had been wed by her father to Viserys Targaryen, the youngest son of Rhaenyra and Daemon Targaryen, and brother to Aegon III Targaryen. During the Dance of the Dragons, Prince Jacaerys Velaryon decided that his half-brothers, Aegon and Viserys would be fostered in Pentos for their own safety. But their ship was captured by the Triarchy sailing into the Gullet to break the Velaryon blockade of Blackwater Bay. Aegon escaped on his young dragon Stormcload, while Viserys who only had his dragon egg was captured. Viserys ended up with Bambarro Bazanne, a magister of Lys. When Bambarro died with a large debt, the Rogare bank seized all of his possessions, including Viserys. Once Lysandro Rogare realized who Viserys was, he wed him to his youngest daughter, Larra. With Lysando’s brother Drazenko as consort of the Princess of Dorne, House Rogare of Lys had wed into two different royal families – Dorne was a separate kingdom from the rest of Westeros at the time.

Alyn Velaryon and Aliandre Martell, by Martina Fackova

And then Lysandro Rogare and Drazenko died within a day of each other, a year after Viserys returned to Aegon III’s court. Drazenko choked on a piece of bacon at Sunspear, and Lysandro drowned when his barge sank in Lys. That these were hits by Faceless Men was a widely claimed rumor. When it became known that Lysandro’s son and heir, Lysaro, embezzled the money of the Rogare bank, a bank run followed and Lysaro was scourged to death at the Lysene Temple of Trade. Though Lysaro’s siblings survived, the family never recovered. Not even Larra would experience being queen to a king, for four years later, she separated from him to return to Lys. She died sixteen years before Viserys II inherited the Iron Throne from his nephew Baelor the Blessed.

What befell the Rogare Bank is used to build a parallel for Illyrio’s hypothesized intention for a run on the Iron Bank. Instead I believe it is a parallel for the financial demise of House Lannister. Yes, the Iron Bank could come under pressure, because of Dany’s increasing global economical disruption as she brings down the slave trade. Even if Braavos nor its merechants deal directly in slave trade, they do trade with the other Free Cities whose economy relies on it. The Iron Bank is not just a private bank owned by one family or house, however. It compares far more to a National Bank, an updated version of a treasury, while the Faceless Men compare to the CIA. Yes, they both have private clients, but they serve a Braavos security interest primordially. And both own lands and other assets such as grain and crops abroad, not just gold. These are real assets, especially during a lean, long winter.

If Illyrio were to organize a bank run on the Iron Bank, the Faceless Men would kill Illyrio’s Aegon Targaryen with great pleasure for a groat in retaliation, even if the Iron Bank was insolvable. A Faceless Man would have murdered King Joffrey, Queen Cersei and Tywin Lannister, because a girl threw an axe at a cage in flames. And Illyrio would know this. Given his affection displayed for Aegon – when Illyrio says goodbye to Tyrion – I do not believe Illyrio would risk Aegon’s life. More, Illyrio and the World Book has declared several times that Pentoshi have learned that trading gifts is a cheaper way to deal with a threat than war. Even if Illyrio thirsts for revenge, Pentoshi economy also relies on Braavosi traders.

So, no I do not believe team Valyrio’s intent is to make the Iron Bank fail, but provoke it in welcoming a restoration of the Targaryen dynasty, without needing exasberate the loan the way Stannis has to. Illyrio managed to acquire enough (creative) resources for both Aegon and Viserys. That gives Illyrio leverage to say “I can shore up the money to return the loans you lost, but for a fee – lift the military prohibitions on Pentos. Your choice.” In other words, team Valyrio foresaw the Iron Bank would want to replace the spenthrift Robert and embezzling Littlefinger, exactly the Iron Bank does with Cersei and Stannis. They simply intended for the backed alternative to be their Targaryens, not Stannis.

I do understand that Varys’s non-reaction may give the impression that Littlefinger is or was conspiring with them. Varys not interfering with Littlefinger for so long is not evidence that Petyr Baelish works for team Valyrio though. We do have evidence though that Varys regards Littlefinger as a lesser thief – albeit useful – with no other interest than being rich, while keeping his biggest cheerleader happy (Lysa). We know this, because to Ned Stark, Varys has this to say about Eddard’s question whether Varys and Littlefinger are working together.

“Is this your own scheme,” he gasped out at Varys, “or are you in league with Littlefinger?”
That seemed to amuse the eunuch. “I would sooner wed the Black Goat of Qohor. Littlefinger is the second most devious man in the Seven Kingdoms. Oh, I feed him choice whispers, sufficient so that he thinks I am his … just as I allow Cersei to believe I am hers.”
“And just as you let me believe that you were mine. Tell me, Lord Varys, who do you truly serve?” (aGoT, Eddard XV)

Varys would rather wed the Black Goat of Qohor than actually be in league with Petyr Baelish. And along with his contempt for Littlefinger, Varys portrays himself as the top manipulator who plays everyone else. He feels superior to Littlefinger from every angle possible. And what did Varys do with petty, selfish and violent thieves in Pentos? Steal from them.

Jon Arryn

In Illyrio’s plan, I quoted how Varys implies to Tyrion in aCoK that Littlefinger helped Ned Stark, Stannis and Jon Arryn to the clues of Cersei’s twincest.

“[Stannis] accuses my brother and sister of incest. I wonder how he came by that suspicion.”
“Perhaps he read a book and looked at the color of a bastard’s hair, as Ned Stark did, and Jon Arryn before him. Or perhaps someone whispered it in his ear.” The eunuch’s laugh was not his usual giggle, but deeper and more throaty.
“Someone like you, perchance?” […]”If you were not this whisperer, who was?”
“Some traitor, doubtless.” Varys tightened the cinch.
“Littlefinger?”
“I named no name.” (aCoK, Tyrion IV)

Varys does not confirm that Littlefinger whispered it to Stannis. He does allow Tyrion to believe it though. And Varys himself may believe it. He knows Littlefinger helped Ned Stark chase Jon Arryn’s trail and that as Lysa Arryn’s favourite, Petyr Baelish was trusted by Jon Arryn.

We can rule out Varys himself. He never whispered a word of it to Ned Stark. He never even broached the subject until Eddard was in a black cell. And then he berated Ned for confronting Cersei over it. Varys admits to Tyrion though, he was aware for years that Cersei’s children are not Robert’s.

“Am I suspected? It was not me.”[…]“No. But why should I betray a secret I have kept so long? It is one thing to deceive a king, and quite another to hide from the cricket in the rushes and the little bird in the chimney. […]” (aCoK, Tyrion IV)

Varys had very good reasons to keep it a secret for so long. Robert’s only sons would be bastards on prostitutes and tavern wenches, except for the acknowledged Edric Storm. None of these could rally a highborn lord against a returned Targaryen dynasty. While Edric Storm would be persuaded to bend the knee to Viserys III or Aegon VI in return for being Lord of Storm’s End. Stannis only had the one daughter with greyscale scars on her face and Renly had none. Robert’s legacy was weak if not non-existing, because of Cersei’s twincest.

Cersei had made it obvious when her three golden haired children compared to Robert’s black haired bastards (born across the realm). On paper, it was the perfect scandal to turn the tables on any Baratheon or Lannister who dared to claim the invading Aegon to be a fraud. Varys could produce six to eight of Robert’s sixteen bastards. Not only were they taken care of. He kept tabs on them.

Not so incidentally, before Tyrion discusses Stannis with Varys, Cersei’s small council (in Varys’s absence) discussed such a counter strategy to tackle Stannis’s letters claiming Joffrey is not Robert’s son.

“A tale of somewhat the same nature, perhaps. But more easily believed. Lord Stannis has spent most of his marriage apart from his wife. Not that I fault him, I’d do the same were I married to Lady Selyse. Nonetheless, if we put it about that her daughter is baseborn and Stannis a cuckold, well . . . the smallfolk are always eager to believe the worst of their lords, particularly those as stern, sour, and prickly proud as Stannis Baratheon.” (aCoK, Tyrion III)

Now, envision what Illyrio and Varys planned on – three survivors of the incestuous Targaryens who all look their part or Lannister blond Baratheons. The Faith and smallfolk only ever accepted the Targaryens as having the innate birthright to be the exception on incest closer than a second cousin. Every child between a Baratheon and Targaryen was black haired: Steffon and Jocelyn Baratheon, and Rhaenys Targaryen. “If Targaryen features could not withstand Baratheon cole, then Lannister gold certainly could not”, would be the easiest propaganda to whisper across the realm by septons and ravens. And nothing would have been more crippling to Robert Baratheon’s alliance with the Lannisters than the claim that Cersei cuckolded him with her Kingslayer twin. Even if Tywin and Cersei would have called it slander, Robert would have recognized the truth of it, had he lived. That is why Varys wanted to keep Robert alive.

Once more though, Stannis ended up doing what team Valyrio intended to. And he failed, because he was disliked by most Lords, and he only had Edric Storm at hand. Cersei already had Robert’s bastards in King’s Landing butchered, just as she once had Robert’s twin babies in Lannisport killed (according to Littlefinger). Of the several bastards living in King’s Landing, only Gendry managed to survive Slynt’s Gold Cloaks.

So, Varys intended for the truth about Joffrey, Myrcella and Tommen to come out, just not before Viserys

  • welcomed Aegon as the nephew who miraculously survived;
  • recognized Aegon as heir, over Dany’s potential son;
  • had his Dothraki screamers and joined them with the Golden Company.

Illyrio told Viserys he might have to wait a few years before he could actually start his invasion with his army of Dothraki, based on Drogo’s travels to Vaes Dothraki and back. At the start of aGoT, Illyrio did not foresee an invasion of the Dothraki and Golden Company until early 299 AC. And when does Stannis send his letters from Dragonstone? Early 299 AC. Jon Arryn and Stannis uncovering the truth about Cersei’s children was too early.

So, who whispered into Stannis’s ear? Stannis would not trust Petyr Baelish. He considers him as corrupt as Varys and both completely devoid of morals. Compared to Stannis, Ned Stark is more trusting. He can barely interact with his two brothers or hide his contempt for Robert’s wanton ways or Renly’s superficial charm. Littlefinger and Stannis are complete opposites: Petyr owns three brothels, and Stannis outlawed them on Dragonstone and wanted to generalize this. The last thing Littlefinger ever wanted was for either Jon Arryn or Ned Stark to reveal the truth to Robert Baratheon. It would have been one of the major motive why Littlefinger used Lysa to kill Jon Arryn. If Littlefinger intended to set up Jon Arryn as he did with Ned Stark, he would have gone straight to the Lord of the Vale and not to Stannis first. But we know from Stannis himself that he involved Jon Arryn once he had his suspicions.

Melisandre, by Nicholas Elias

Neither Littlefinger, or Varys whispered it to Stannis. It was Melisandre who sought out Dragonstone and Stannis all on her own several years before aGoT.

Tywin to Tyrion: “Oh, Varys hears his whispers. Stannis is building ships, Stannis is hiring sellswords, Stannis is bringing a shadowbinder from Asshai. What does it mean? Is any of it true?” (aGoT, Tyrion IX)

“Varys told us some years past that Lady Selyse had taken up with a red priest,” Littlefinger reminded them. (aCoK, Tyrion III)

Mel uses visions in flames to convince Jon Snow she sees the truth and future both: the vision of the spears with the skulls, the grey girl on a horse fleeing towards Jon’s protection, and the knives in the dark after the arrival of a message. She had to do the same with the agnostic/atheist Stannis.

“I stopped believing in gods the day I saw the Windproud break up across the bay. Any gods so monstrous as to drown my mother and father would never have my worship, I vowed. In King’s Landing, the High Septon would prattle at me of how all justice and goodness flowed from the Seven, but all I ever saw of either was made by men.”
“If you do not believe in gods—”
“—why trouble with this new one?” Stannis broke in. “I have asked myself as well. I know little and care less of gods, but the red priestess has power.” (aCoK, Davos I)

And in the beginning, she used Selyse as in between, as we see in aCoK’s Prologue.

“Yes,” [Selyse] answered, “but if Renly should die . . .” Stannis looked at his lady with narrowed eyes, […] “Melisandre has gazed into the flames, and seen him dead.”
Cressen was horrorstruck. “Fratricide . . . my lord, this is evil, unthinkable . . . please, listen to me.” […]
“I have heard your counsel, Cressen,” Lord Stannis said. “Now I will hear hers. You are dismissed.” (aCoK, Prologue)

Stannis’s dismissal of Cressen to want to hear more from Selyse on what Mel predicts shows this is not the first time. And aCoK‘s prologue also showcases Stannis believes her visions and predictions enough to go certain lengths to prevent it from happening. Melisandre foresaw Maester Cressen would attempt to poison her at the feast. Stannis attempted to prevent Cressen having the opportunity, by leting him sleep through it.

The old man could only stop and stare. “Maester Pylos,” he said at last. “You . . . you did not wake me.”
“His Grace commanded me to let you rest.” Pylos had at least the grace to blush. “He told me you were not needed here.” (aCoK, Prologue)

When Cressen shows up nevertheless, Stannis even tells him he would not have him kill himself in Stannis’s service.

“Pylos will counsel me henceforth. Already he works with the ravens, since you can no longer climb to the rookery. I will not have you kill yourself in my service.”(aCoK, Prologue)

So, what truths and predicions did Mel whisper (via Selyse) to Stannis that caused him to become suspicious about Cersei’s children only around the end of the year 297 AC? Stannis did his marriage duty once or twice a year when visiting Dragonstone. The moment that Melisandre claimed that Stannis would become the true king, he would have started out skeptical, likely believing her a fraud. And how could he be Robert’s heir, when Robert had three children with Cersei? That is when Mel revealed that Cersei’s children were not Robert’s, and Stannis begins his own research in King’s Landing – rationally and independently. He involved Jon Arryn, because Robert would not have accepted such an awful truth from Stannis’s lips.  And then once Jon Arryn was dead, Stannis sailed to Dragonstone to learn what else Mel could see in her flames. And if Mel also predicted Robert’s and Ned’s death, her advice likely convinced Stannis to stay away from the capital.

Varys only ever knew Stannis to be an agnostic, rational man. Stannis believing in the predictions of a red priestess would sound absurd to him. Even Stannis trusting Littlefinger would seem more likely to Varys at the time he discusses it with Tyrion.

Jon and his son Robert Arryn, by Julianah Pinho

Did Varys know who actually killed Jon Arryn? We know for a certainty that Lysa Tully administered the tears of Lys to Jon Arryn: she confessed she did it on Petyr Baelish’s advice within Sansa’s hearing in aSoS.

“Tears, tears, tears,” [Lysa] sobbed hysterically. “No need for tears . . . but that’s not what you said in King’s Landing. You told me to put the tears in Jon’s wine, and I did. For Robert, and for us! And I wrote Catelyn and told her the Lannisters had killed my lord husband, just as you said.[…]” (aSoS, Sansa VII)

Varys correctly named the poison to Ned Stark, though he makes Eddard believe it was the conveniently dead Ser Hugh of the Vale. However, look a bit more closely at how Varys initially describes “the boy” who poisoined Jon Arryn?

“Some dear sweet friend who often shared meat and mead with him, no doubt. Oh, but which one? There were many such. Lord Arryn was a kindly, trusting man.” The eunuch sighed. “There was one boy. All he was, he owed Jon Arryn, but when the widow fled to the Eyrie with her household, he stayed in King’s Landing and prospered. It always gladdens my heart to see the young rise in the world.” The whip was in his voice again, every word a stroke. “He must have cut a gallant figure in the tourney, him in his bright new armor, with those crescent moons on his cloak. A pity he died so untimely, before you could talk to him …” (aGoT, Eddard VII)

Ser Hugh was not the sole one who owed all he was to Jon Arryn, who remained in King’s Landing after Lysa fled and prospered. Littlefinger prospered even more because of it than Ser Hugh ever did. Varys was not talking about Ser Hugh, when he described the boy. Varys always knew that Littlefinger instructed Lysa to poison Jon Arryn. He did make Ned Stark believe it was Ser Hugh, without actually saying so. Why?

Littlefinger revealed to Ned Stark who of Lysa’s household remained in King’s Landing: “a pregnant kitchen girl hastily wed to one of Lord Renly’s grooms, a stablehand who joined the City Watch, a potboy discharged from service for theft, and Lord Arryn’s squire“.

“Ser Hugh of the Vale,” Littlefinger named him. “The king knighted the boy after Lord Arryn’s death.” (aGoT, Eddard V)

Jory Cassel talks with each of them:

  • the serving girl alludes to Jon Arryn having read “more than was good for him“, and hints that Jon Arryn and Lysa Arryn may have been at odds with each other over Sweetrobin’s fostering.
  • the former potboy spills all the kitchen gossip: Jon was sending Sweetrobin to Dragonstone, took an interest in the breeding of hunting hounds, and he went to Tobho Mott’s together with Stannis to see Gendry.
  • Ser Hugh dismisses Jory Cassel, but he is willing to talk to the Hand in person.
  • the stable boy, turned Gold Cloak, talks well of Jon Arryn without revealing anything.

Jory had spoken to each of them in turn. Ser Hugh had been brusque and uninformative, and arrogant as only a new-made knight can be. If the Hand wished to talk to him, he should be pleased to receive him, but he would not be questioned by a mere captain of guards … even if said captain was ten years older and a hundred times the swordsman. . (aGoT, Eddard VI)

Now who arranged for each of their fates? The same man who told Ned Stark where to find them: Littlefinger. He helped or bribed…

  • the serving girl with a husband in Renly’s household.
  • the stable boy with a profitable job with the Gold Cloaks, under Littlefinger’s man Janos Slynt.
  • the recent knighted Ser Hugh with a large enough sum, with which he ordered new armor for the Hand’s tourney. It was not the armor that Jon Arryn was rumored to have bought, since Tobho tells Ned Stark that the Hand did not honor him with his patronage.

Littlefinger bribed three, but the potboy’s gossip could never be contained. The potboy’s tarnished reputation as a thief and never having exchanged a word with Jon Arryn would make it unlikely that he would be believed.

Why would Littlefinger reveal the potential witnesses he bribed into silence? To test who would talk and who would not. The serving girl hints at the trouble that led to Jon Arryn’s death, but refrains outright from revealing more, for the sake of her child likely. The stable boy reveals nothing, knowing it would be too easy he would end up dead by a fellow Gold Cloak while on duty. Only Ser Hugh was also arrogant enough to chance talking with Ned Stark. It would be too easy to list Ser Hugh against the violent Gregor Clegane and turn him into a patsy.

When Tyrion questions Pycelle about Jon Arryn’s murder, the Grand Maester confesses that he sent Maester Coleman away who attempted to save the Hand from the poison by purging him. That he did this to preserve Cersei’s secret. But Pycelle also names Ser Hugh the poisoner, insisting that Tyrion should ask Varys and Cersei both.

Yes,” he whimpered, “yes, Colemon was purging, so I sent him away. The queen needed Lord Arryn dead, she did not say so, could not, Varys was listening, always listening, but when I looked at her I knew. It was not me who gave him the poison, though, I swear it.” The old man wept. “Varys will tell you, it was the boy, his squire, Hugh he was called, he must surely have done it, ask your sister, ask her.”

Pycelle knows that Varys named Ser Hugh to Ned Stark and believes Varys’s claim, but also that Cersei knows a thing or two about Ser Hugh. The moment that Ser Hugh had shown he was willing to talk to Ned Stark in person, either Cersei or Littlefinger arranged for him to ride against Gregor Clegane, a brute who delights in teaching an arrogant, fresh knight in shiny new armor a deadly lesson.

So, why did Varys went along with Ser Hugh as the patsy? He had no credible and usable witnesses to provide the evidence against Littlefinger or Lysa. Jon Arryn’s widow was in the Vale, gathering an army. That left only the disgraced potboy and the serving girl, and each points to Lysa and her motive, but also Cersei’s secret.

Marillion highlights how Ser Hugh was a patsy too. The singer attempted to rape Sansa,  believing her to be the baseborn daughter of Littlefinger, Lysa’s fresh husband. Marillion was so arrogant that he believed himself untouchable, as had Ser Hugh. Having seen and heard too much, both Marillion and the upjumped squire Ser Hugh were about to sing the truth, and both became patsies for murdering Lysa and Jon Arryn respectively.

Lysa stumbled backward, her feet slipping on the wet marble. And then she was gone. She never screamed. For the longest time there was no sound but the wind.
Marillion gasped, “You . . . you . . .”
The guards were shouting outside the door, pounding with the butts of their heavy spears. Lord Petyr pulled Sansa to her feet. “You’re not hurt?” When she shook her head, he said, “Run let my guards in, then. Quick now, there’s no time to lose. This singer’s killed my lady wife.” (aSoS, Sansa VII)

Maidenheads and a dagger

A semi-canon source, the A World of Ice and Fire app, claims that Lysa and Littlefinger had an affair already in King’s Landing, before Jon Arryn’s murder. And since Petyr Baelish was Lysa’s acclaimed favourite, no doubt Varys may have had some theories on the lesser thief‘s real motive for urging her to kill Jon Arryn. But then Lysa’s sister Catelyn shows up unexpectedly by ship in King’s landing with a dragonbone handled dagger of Valyrian steel.

He eased himself down into a seat and put his hands together. “I wonder if we might trouble you to show us the dagger?”
[…] “What have you done to Ser Rodrik?” she demanded.
Littlefinger was lost. “I feel rather like the knight who arrives at the battle without his lance. What dagger are we talking about? Who is Ser Rodrik?”
“Ser Rodrik Cassel is master-at-arms at Winterfell,” Varys informed him. “I assure you, Lady Stark, nothing at all has been done to the good knight. He did call here early this afternoon. He visited with Ser Aron Santagar in the armory, and they talked of a certain dagger. About sunset, they left the castle together and walked to that dreadful hovel where you were staying. They are still there, drinking in the common room, waiting for your return. Ser Rodrik was very distressed to find you gone.”
“How could you know all that?”
“The whisperings of little birds,” Varys said, smiling. “I know things, sweet lady. That is the nature of my service.” (aGoT, Catelyn IV)

While Catelyn may have been flabbergasted, because she tried to be discrete, the rereader would be less surprised that Ser Rodrik could not just come and interrogate the master-at-arms of the red keep’s armory over a Valyrian steel dagger without Varys learning of it within the hour.

Valyrian steel dagger, by Lucas Durham for Fantasy Flight Games

Littlefinger tells part truth and lie. The dagger did belong to him until the tourney of Joffrey’s name day early 298 AC.

“I would have told you that there was only one knife like this at King’s Landing.” […] “It’s mine.” […] “Until the tourney on Prince Joffrey’s name day,” he said, crossing the room to wrench the dagger from the wood. “I backed Ser Jaime in the jousting, along with half the court.” Petyr’s sheepish grin made him look half a boy again. “When Loras Tyrell unhorsed him, many of us became a trifle poorer. Ser Jaime lost a hundred golden dragons, the queen lost an emerald pendant, and I lost my knife. Her Grace got the emerald back, but the winner kept the rest.”

But he lies that Tyrion bet against Jaime (a no-no) in a joust and won the dagger, while in fact Robert won the dagger.

“Who?” Catelyn demanded, her mouth dry with fear. Her fingers ached with remembered pain.
“The Imp,” said Littlefinger as Lord Vary watched her face. “Tyrion Lannister.” (aGoT, Catelyn IV)

Varys never corrects Littlefinger’s lie to either Ned Stark or Catelyn, but he would have unlikely been unaware that Robert won the dagger. Given Varys’s role when it comes to discovering lost or stolen goods, he brought Catelyn straight to the owner who lost it, Littlefinger. Varys allowed Littlefinger’s lie, because it protected king Robert Baratheon. Because Varys had Catelyn meet with Littlefinger, he prevented Ser Aron Santagar from seeing it. The master of arms would have recognized it as a recent acquisition of the king.

That Robert’s dagger was important enough for Catelyn to take a ship from White Harbor to King’s Landing in secrecy with just Ser Rodrik, all to discover its owner, would make Varys fear that the truth might have devestating consequences, even war, at the wrong time. Varys rarely allows dangerous truths to be relayed to someone ahead of him.

Littlefinger sauntered over to the table, wrenched the knife from the wood. “The accusation is treason either way. Accuse the king and you will dance with Ilyn Payne before the words are out of your mouth. The queen … if you can find proof, and if you can make Robert listen, then perhaps …” (aGoT, Eddard IV)

Varys was not going to allow that dagger to lead to an accusation against the king, without knowing what had occurred at Winterfell, or how the king’s dagger ended up with Catelyn. She never told Varys about the catspaw sent to kill Bran, but she repeated it to Ned Stark in the presence of Littlefinger, whom she told off page before already.

So he listened, and she told it all, from the fire in the library tower to Varys and the guardsmen and Littlefinger. And when she was done, Eddard Stark sat dazed beside the table, the dagger in his hand. […] “Very well,” he said, thrusting the dagger into his belt. “You spoke of Varys. Does the eunuch know all of it?”
“Not from my lips,” Catelyn said. “You did not wed a fool, Eddard Stark. But Varys has ways of learning things that no man could know. He has some dark art, Ned, I swear it.” (aGoT, Eddard IV)

Varys’s little birds could have overheard either occassion.

“The fools tried to kill his son, and what’s worse, they made a mummer’s farce of it. He’s not a man to put that aside. I warn you, the wolf and lion will soon be at each other’s throats, whether we will it or no.” […] “Littlefinger … the gods only know what game Littlefinger is playing. Yet Lord Stark’s the one who troubles my sleep. He has the bastard, he has the book, and soon enough he’ll have the truth. And now his wife has abducted Tyrion Lannister, thanks to Littlefinger’s meddling.” (aGoT, Arya IV)

So, why did Littlefinger implicate Tyrion? Lysa had already accused the Lannisters having murdered Jon Arryn, with her secret message hidden inside a box of a Myrish looking glass. At the Eyrie, Lysa claims that she wrote it to warn them away from King’s Landing. This is likely true for Lysa. She would expect Catelyn to go to King’s Landing with Ned Stark, just like she did with Jon Arryn. But Lysa would not want Catelyn to live around Littlefinger, while she was separated from him in the Vale. Nor would she have wanted a war that Catelyn and Ned Stark might drag her into. She is pretty freaked out about Catelyn showing up at the Eyrie with Tyrion.

But Lysa’s motive does not have to align with Littlefinger. Petyr would expect Ned Stark to seek justice for Jon Arryn. He knew that Lord Stark fell out for a while with Robert over Lannisters slaughtering babies. He knew the Warden of the North would have executed the last Mormont in the male line over selling poachers as slaves. That Ned would not be warned away from Lysa’s accusation. It would motivate Ned Stark personally, if a king’s command would not suffice. And what better way to remain under the radar of Ned’s investigation than pointing the way towards Cersei’s treason and setting up the Lannisters as the conspirators behind Jon Arryn’s murder. Of course, Littlefinger could not foresee Jaime and Cersei would be play into his set up of them so well by throwing the Hand’s son from a tower in his own home, or Joffrey sending a catspaw to assassinate comatose Bran with a Valyrian steel dagger, once owned by Littlefinger.

Tyrion Lannister, by Aleksander Karc for Fantasy Flight Game

Without knowing himself what happened that resulted in Bran’s fall, Littlefinger had to keep suspicion on the Lannisters. And with the queen, Jaime and Ned Stark so close to the city, Petyr picked the “safest” Lannister: Tyrion had the least power and was despised by both Cersei or Tywin. Tyrion was not even around to defend himself against an accusation, but visiting the Wall. Maybe Petyr hoped Tyrion might be apprehended by the Northerners the moment passed Winterfell again. By accusing Tyrion, Littlefinger kept suspicion on the Lannister siblings as well as bought himself time to gain control of the narrative and if possible get rid of the evidence – the dagger.

“This?” Littlefinger flipped the knife casually end over end. “A sweet piece of steel, but it cuts two ways, my lord. The Imp will no doubt swear the blade was lost or stolen while he was at Winterfell, and with his hireling dead, who is there to give him the lie?” He tossed the knife lightly to Ned. “My counsel is to drop that in the river and forget that it was ever forged.” (aGoT, Eddard IV)

Cat and Petyr, by joscomie.deviantart.com

I do suspect that Littlefinger expected (and hoped) that Ned Stark would take his wife along to King’s Landing. He may have hoped to have as much an affair with Catelyn as he had with Lysa. Petyr Baelish did not just brag openly that he had the maidenheads of both sisters. He truly believed it, even though in reality it was Lysa each time.

Tyrion cocked his head. “Why, every man at court has heard him tell how he took your maidenhead, my lady.” […] “And you are truly a fool, Lady Stark. Littlefinger has never loved anyone but Littlefinger, and I promise you that it is not your hand that he boasts of, it’s those ripe breasts of yours, and that sweet mouth, and the heat between your legs.” (aGoT, Tyrion IV)

Petyr Baelish to Sansa “You are old enough to know that your mother and I were more than friends. There was a time when Cat was all I wanted in this world. I dared to dream of the life we might make and the children she would give me . . . but she was a daughter of Riverrun, and Hoster Tully. Family, Duty, Honor, Sansa. Family, Duty, Honor meant I could never have her hand. But she gave me something finer, a gift a woman can give but once.” (aSoS, Sansa IV)

Lysa to Sansa: “You enticed him, just as your mother did that night in Riverrun, with her smiles and her dancing. You think I could forget? That was the night I stole up to his bed to give him comfort. I bled, but it was the sweetest hurt. He told me he loved me then, but he called me Cat, just before he fell back to sleep.” (aSoS, Sansa VII)

The updates by raven from Winterfell after Bran’s fall would have corrected Petyr Baelish from the notion that Catelyn would join the new Hand in King’s Landing soon enough. And then, Varys comes to him with the news of Catelyn being in town: he fears she might distrust him. She knew Littlefinger as a boy though and he is a trusted friend of her sister Lysa. She might be better at ease if Littlefinger would meet with her first? 

“Nothing happens in this city without Varys knowing. Ofttimes he knows about it before it happens. He has informants everywhere. His little birds, he calls them. One of his little birds heard about your visit. Thankfully, Varys came to me first.”
“Why you?”
He shrugged. “Why not me? I am master of coin, the king’s own councillor. Selmy and Lord Renly rode north to meet Robert, and Lord Stannis is gone to Dragonstone, leaving only Maester Pycelle and me. I was the obvious choice. I was ever a friend to your sister Lysa, Varys knows that.” (aGoT, Catelyn IV)

Realize too that Varys refrained from mentioning the dagger to Littlefinger beforehand. Hence, Petyr agreed eagerly, in the hopes of meeting Catelyn and having a private moment with her. He behaves overly familiar towards Catelyn as if they have a shared secret about their mutual desires.

“You were not mistreated, I trust,” he said after they had gone. “I gave firm instructions.” He noticed her bandages. “Your hands …”
Catelyn ignored the implied question. “I am not accustomed to being summoned like a serving wench,” she said icily. “As a boy, you still knew the meaning of courtesy.”
“I’ve angered you, my lady. That was never my intent.” He looked contrite. […]
“How did you know I was in the city?” she asked him.
“Lord Varys knows all,” Petyr said with a sly smile. “He will be joining us shortly, but I wanted to see you alone first. It has been too long, Cat. How many years?”
Catelyn ignored his familiarity. There were more important questions. […] “Does Varys know about …”
“Lord Varys knows everything … except why you are here.” (aGoT, Catelyn IV)

And when Catelyn asks whether “Vary knows about ….”, Petyr prevents her from completing her sentence. While Catelyn likely wished to allude to Littlefinger’s dueling challenge of Brandon Stark, Littlefinger would have believed she alluded to giving him her maidenhead. He also dismisses Cat’s marriage as only one of being true to her family’s words, as a duty. He does not believe she could actually loves her husband.

He lifted an eyebrow. “Why are you here?”
“A wife is allowed to yearn for her husband, and if a mother needs her daughters close, who can tell her no?”
Littlefinger laughed. “Oh, very good, my lady, but please don’t expect me to believe that. I know you too well. What were the Tully words again?” […] “Family, Duty, Honor,” he echoed. “All of which required you to remain in Winterfell, where our Hand left you. No, my lady, something has happened. This sudden trip of yours bespeaks a certain urgency. I beg of you, let me help. Old sweet friends should never hesitate to rely upon each other.” (aGoT, Catelyn IV)

No doubt, Varys was listening in, from the other side of the door. It gives him firsthand knowledge on whether Catelyn was a fool for Littlefinger like Lysa. Cat’s emotional distance and coolness towards Petyr, even in private would have informed Varys enough that Catelyn did not return Littlefinger’s feelings. At this point, he knocks to interupt Petyr from soliciting lady Stark in this manner again.

There was a soft knock on the door. “Enter,” Littlefinger called out. (aGoT, Catelyn IV)

The interesting thing is that Littlefinger managed to make Varys believe that the catspaw’s attempt to kill Bran was orchestrated by the Lannisters, a mummer’s farce, even though he knows the dagger was not won by Tyrion. And the manner in which Petyr mooned after Catelyn would have made Varys wonder why Littlefinger would push for war between the Starks and the Lannisters. While Varys begins to realize that the knife punk and lesser thief had begun to play a game beyond the scope of self enrichment, it takes even him by surprise eventually. What follows is a game of agents and recruits, muddled by the wildcard, Joffrey Baratheon. I will tackle that in a follow-up essay.

Conclusion

In essence, Varys, Illyrio and Littlefinger grew up as lowborn street kids, starting out with nothing, surviving on crime. They clawed their way not just to the financial top, but into positions of legal power. And I argue that dismissing or ignoring these facts for Varys and Illyrio, while trying to turn them into descendants of Targaryens or Blackfyres, will confuse the reader when it comes to understanding how and why they operate as they do, who their agents or pawns are, and what their next moves might be. When you see them as yellow street tomcats in the seat of power though, we gain much and more clarity.

I started out by differentiating team Valyrio versus Littlefinger by their basic crime, rather than whatever bloodline they come from. Team Valyrio is in the business of ‘fencing’ while Petyr Baelish is that of felony murder and racketeering. Varys and Illyrio prey on the felons and thieves to return what was stolen to the rightful owner for a fee. Knife throwing Littlefinger preys on innocence, robbing, murdering, bribing, extorting, lying and fucking his way up. In other words, Petyr Baelish is what team Valyrio preys on. And Petyr’s path never required a financial backer, only a promotor who opened doors for him, Lysa Arryn.

When we put the fencing-MO of Illyrio and Varys against the three dragon eggs that Illyrio gifted Daenerys Targaryen, as well as the lost three dragon eggs that Elissa Farman stole from Dragonstone near 250 years before, we come to a strong argument for those to be three and the same. It was not Illyrio’s job to find them, but Varys’s. It may even be argued that the Mad King contacted and hired Varys from Pentos to help him find the eggs that Elissa Farman stole, at a time Aerys II was searching for whichever dragon egg he could get his hands on in the hope to hatch them. Where the Mad King only knew part of Farman’s trail going cold after Pentos, Varys came across the same sources that would lead to the true story of the theft published in-world recently in Fire & Blood by Arch Maester Gyldain. It just took Varys and Illyrio longer than Aerys II lived.

When we jump in time to a few years before the start of the series we get a glimpse of the biggest (and still ongoing) heist on the Crown of Westeros: the lions are stealing a dynasty of a usurper via twincest, and the mockingbird embezzles the treasury (including the lions’ gold). The street cats let it unfold as they believe it is to their benefit. The Baratheon dynasty would not survive beyond a generation, neither in children as well as political backing. And the bankruptcy of the Westerosi treasury may be recovered by Illyrio, who gets a deal with the Iron Bank: you back a Targaryen dynasty, and I will personally cover the loan, if you also lift limitations and prohibitions against defending ourselves.

What they did not account for was Melisandre. She arrived on Dragonstone and converted Stannis’s wife Selyse into believing her visions and claims about Stannis completely. During his rare and dutiful yearly visit of Dragonstone, Stannis learned of Mel’s claim that he is Robert’s true heir. What sounded as folly initially, was revealed to be possible when Mel whispered what she knew of the parentage of Cersei’s children. Returning to King’s Landing, Stannis confides in Jon Arryn about the suspicion that Joffrey, Tommen and Myrcella were fathered by Jaime. He knows the Hand to be an honest and moral man: Jon Arryn attempted to remove the corrupt Janos Slynt from the command of the Gold Cloaks. Stannis could also trust that Jon Arryn would not move against the Lannisters before he had found and seen the evidence with his own eyes. And finally, the truth would make Robert resent Stannis less, if it came from the lips of Jon Arryn instead. And so they begin to investigate towards the end of 297 AC.

Lysa Arryn freaks out when she learns that Jon intends to foster Sweetrobin to Dragonstone. Littlefinger had a bone to pick still with Jon Arryn trying to remove his man Janos Slynt, possibly fears exposure, and advizes Lysa to poison her husband with the tears of Lys. He already foresees who he can best take the fall for it. Expecting that Robert would appoint Stannis as Hand, the Lannisters are the likeliest to come under suspicion. Robert does not appoint Stannis as Hand, however. Instead he wants Ned Stark and will bring him and his household south to King’s Landing. Littlefinger believes it may be his only chance to get Catelyn to court, so he could have an affair with the woman he desires over Lysa. He expects Ned Stark to mistrust the Lannisters and the Kingslayer, and uses that by having Lysa write a letter to create a false murder trail to an ugly truth: the Lannisters killed Jon Arryn because he was about to inform Robert that none of Cersei’s children are his. Meanwhile, Stannis returns to Dragonstone to consult with Melisandre, starting to believe she sees true. She predicts the death of Robert and his Hand before the end of the year and advizes him to prepare for Cersei planting Joffrey on the throne.

Lysa flees to the Vale, while Littlefinger ‘volunteers’ to remain in King’s Landing and make sure that nobody can uncover the truth of them plotting to murder Jon Arryn. Petyr repositions the four other remainers who can tell tales: the pregnant kitchen maid, the gosipping potboy, the stable boy and Jon Arryn’s squire Ser Hugh. Some of them he threatens, bribes or disgraces. Unlike Lysa, Catelyn will not join the Hand as his wife in King’s Landing. Some freak accident befell her son Bran with the Lannisters at Winterfell. And then Catelyn arrives secretly at King’s Landing, before her husband and the King et all. Not knowing about the dagger yet, when Varys seeks Littlefinger’s help, Petyr hopes to have a moment alone with Catelyn and come to a mutual agreement that she wed Ned Stark out of duty and honor for her family name, but in truth loves him.

Cat does truly love Ned Stark though and did not come for Petyr. She came to discover who owned this unique dagger. Varys brought them together, because he knew Petyr lost the dagger to Robert. In this way, he prevents Aron Santagar from seeing it and identifying it as Robert’s. He too is curious whether Catelyn reciprocates Littlefinger’s feelings and how the lesser thief works himself out of the dagger-situation. With Varys in the room, Petyr cannot but admit it was his for a long time. And then he lies that he lost it to Tyrion, the one Lannister not arriving in King’s Landing anytime soon to defend himself against the accusation. With some luck, the Imp never returns. Neither Cersei or Tywin would grieve him.

Ned begins to investigate Jon Arryn’s murder and comes to trust Littlefinger in helping him with that. Of the four other remainers of Jon Arryn’s household in King’s Landing, only Ser Hugh who was knighted by Robert is willing to talk to Ned Stark in person, and he would be the most informed and credible witness of the four. The upjumped squire is too arrogant than is good for him, though, and believes himself untouchable by Robert’s knighting of him. Cersei gets wind of Ser Hugh wanting to talk to Ned Stark and arranges for him to start the lists against the Mountain.

NK: Craster and his Wives

This essay will focus on Craster and his wives, Gilly in particular, in terms of the elements that fit the patterns, functions and abilities insofar they match with the Night’s King as well as the corpse queen. While most readers will recognize up to a level that Craster has a partial Night’s King role, his wives will hardly ever be recognized as a parallel to a corpse queen.

However, Gilly most certainly is repeatedly featured and cast in a corpse queen role by George in all the right locations: north of the Wall  in an enchanted frosted forest, the Nightfort’s kitchens and the Wall’s lichyard. This was an obvious parallel to the corpse queen to pick up on, but almost so on the nose for a girl we have sympathy for that it is easily glossed over. She may be no sorceress or hivemind, but Gilly is a mother, leaking milk that she shares with adult men. This is very much a Sandking maw feature.

Maw references are not solely restricted to Gilly alone. We also find them for other wives of Craster in the short moments that they are featured. And in an unexpected way, we come to the realization that George uses incest amongst humans to mimic an inhuman lifeform’s ability to perform autogamy or parthogenesis.

A follow-up essay is in the making, where I will go deeper into his legacy – sweet little monster.

Index

Craster as Night’s King

I have covered most about Craster already in What Use is a Night’s King and From Sandkings to Nightqueen. And I have covered him extensively as well in Craster’s Black Blooded Curse in the Bears & Maiden section. So, this section of the essay will be mostly a summary.

Taking the most superficial view, Craster seems nothing like a Night’s King. He commands no army. His rule goes no further than the pigsty home he built on shit (according to Dolourous Edd). He is neither king or lord commander. He is just a wildling, shunned by everybody else living north of the Wall. He has no queen, but nineteen wives, most of whom are his daughters. Not a one is a sorceress. Not a one is an infamous, bedazzling beauty. And he certainly is no magician.

His ambitions go no further than to continue his incest without caring one iota about any of his children, be serviced by the girls and women, drink, fuck and snore. He pales in comparison to the legend about the Bloodstone Emperor, the Night’s King and Euron. Aside from the incest and leaving his sons in the forest to die, we do not know if he ever harmed another wildling or brother of the Night’s Watch directly. But he might have killed Othor with an axe as I proposed in Craster’s Black Blooded Curse and turn wights into blood sausages for his secret larder. Joe Magician once argumented he might have directed Waymar Royce into a trap for the Others (see Joe Magician’s theories on The Killing of the Wrong Ranger).. The problem though is that it is very unlikely we will ever see any confirmation to these speculations.

He sure is a despicable man, but he does not have that eldritch terror characterization. Oh, and he is dead already, killed basically in what amounts to a barfight. He is the trailer-trash version of the Blood Emperor. Personally, I actually like it that George made such an impactful villain such a nobody. No songs will be sung about him in a thousand years; no tales told, not even by parents warning their children “if you don’t behave, Craster will come and get you.” Even less than a year after his death, he is almost forgotten, with almost nobody knowing how instrumental he was in empowering the Others in numbers and the maw in power. Exactly like the historical Night’s King, his name will be obliterated and for the exact same reason – human sacrifice.

Despite being a nobody, Craster is the one guy who managed to enlarge the numbers of the Others right under the nose of the Night’s Watch, who knew partially what he was doing, and yet the Night’s Watch never realized the significance of it. Even after Jeor Mormont was almost assassinated by a wight and numerous rangers have gone missing (including first ranger Benjen Stark), no one but Jon Snow and Dolorous Edd ever consider that it may be better to not deal with Craster at all. They still have their priorities on its head: to seek out Mance Rayder and destroy his host. It has to be said that at least Brandon the Breaker and Joramun obliterated the Night’s King’s name over discovering something similar. Mance and Jeor Mormont did not even do that. They knew he committed infanticide and they left him to it, or traded with him.

Without Craster, Waymar Royce may still be alive. Benjen Stark would have returned from his ranging. The Night’s Watch would not have lost close to 300 brothers at the Fist. Jeor Mormont most likely would still be alive. And the Free Folk would not have the need to follow Mance Rayder as King-Beyond-the-Wall. Stannis would not have sailed for Eastwatch. A large part of the plot would just not exist without Craster’s offerings of sons to the Others. Singers may never sing about his downfall. Nannies may never tell scary hearth about him. But the impact he has on Westeros, even after his death, is still ongoing, and widening, until it will engulf everyone manoeuvring for power in every region of the Seven Kingdoms.

So, Craster’s Night’s King action to sacrifice his seed to the Others is significant. And nobody of the other characters with a Night’s King arc will end up sacrificing their seed to the Others, not Euron, not Stannis and certainly not some of readers’ favourite character to villainize, Jon Snow. The rise of the Others is Craster’s fault.

And it gives us enough incentive to look at some things about Craster slightly closer.

  • Craster may be considered a wildling, but he has a tie to the Night’s Watch – he is the son of a brother of the Night’s Watch.
  • Craster is in general not regarded as some type of king, but Chett considers Craster as living like a lord at his shitty “keep”, and considers living the same way, while calling himself king. Meanwhile Craster refers to himself as godly. He might not only mean that he stays on the good side of his gods, but may be implying he thinks of himself as a god.
  • There are hints that Craster may have helped to kill or led rangers towards the Others. Except for Gared all of these became wights. In that way Craster would have then be involved in binding brothers of the Night’s watch to the hivemind of the corpse queen maw.
  • Equally there are hints on cannibalism, and that Craster’s larder may be filled with sausages made out of wight blood. (see Craster’s Black Blooded Curse). Cannibalism is not necessarily linked to the Night’s King, but it certainly is for the Bloodstone Emperor who is the Night’s King-like character in the empire of Yi TI to a tiger (spider?) woman.

All of these elements may pale in comparison to the Lovecraftian evil that the legend of the Bloodstone Emperor, Euron or the Night’s King evokes in us, but he is still the sole man who is responsible for the Others even being a current threat.

Wife, Mother, Sister and Daughter

One of the most glaring discrepancies between Craster and the historical Night’s King is the fact that he has 19 wives, most of them his own daughters, and none of them are infamous haunting beauties as is said of the corpse queen. And yet, when we scratch of the surface and look deeper into scenes that feature Gilly, we actually discover that Craster’s human non-sorceress wives and daughters do serve as parallels to the corpse queen.

Gilly as corpse queen

“I don’t even know your name.”
“Gilly, he called me. For the gillyflower.”
“That’s pretty.” He remembered Sansa telling him once that he should say that whenever a lady told him her name. He could not help the girl, but perhaps the courtesy would please her. (aCoK, Jon III)

One often cited scene to argue Jon Snow will become the next Night’s King is the one where Jon meet with Gilly after he woke into a bedazzling winter scene on the grounds of Craster’s Keep.

He woke to the sight of his own breath misting in the cold morning air. When he moved, his bones ached. Ghost was gone, the fire burnt out. Jon reached to pull aside the cloak he’d hung over the rock, and found it stiff and frozen. He crept beneath it and stood up in a forest turned to crystal. The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice.
So there is magic beyond the Wall after all. He found himself thinking of his sisters, perhaps because he’d dreamed of them last night. Sansa would call this an enchantment, and tears would fill her eyes at the wonder of it, but Arya would run out laughing and shouting, wanting to touch it all. (aCoK, Jon III)

Jon wakes into  a “magical” iced winter world, and considers it an “enchantment”. Even though the frosting effect is natural, George pushes the reader to consider this as a scene where Jon woke up in a fairyland and is about to meet with a sorceress. And indeed, a young woman approaches him.

“Lord Snow?” he heard. Soft and meek. He turned. Crouched atop the rock that had sheltered him during the night was the rabbit keeper, wrapped in a black cloak so large it drowned her. Sam’s cloak, Jon realized at once. Why is she wearing Sam’s cloak? “The fat one told me I’d find you here, m’lord,” she said. […] Her arms closed over the swell of her belly. “Is it true, m’lord? Are you brother to a king?”
“A half brother,” he admitted. “I’m Ned Stark’s bastard. My brother Robb is the King in the North. Why are you here?”

By asking about Jon’s brother being a king, a Stark King, the scene is supposed to bring the Night’s King to mind, of whom it is sometimes claimed that he was a brother of the King of Winter, Brandon the Breaker Stark. And of course Jon Snow ends up becoming the Lord Commander, shortly after his return to the Wall.

Her breath frosted the air in small nervous puffs. “They say the king gives justice and protects the weak.” She started to climb off the rock, awkwardly, but the ice had made it slippery and her foot went out from under her. Jon caught her before she could fall, and helped her safely down. The woman knelt on the icy ground. “M’lord, I beg you—” […] “You don’t have to speak with me, m’lord. Just take me with you, when you go, that’s all I ask.” All she asks, he thought. As if that were nothing. “I’ll . . . I’ll be your wife, if you like. My father, he’s got nineteen now, one less won’t hurt him none.”(aCoK, Jon III)

We have a sentence that claims that the girl’s breath frosts the air, instead of the other way around. This evokes the idea of a woman cooling her surroundings, like an Other. And she begs him to take her with him, to be his wife. The complete scene appears a re-enactment of the legend of the Night’s King.

A woman was his downfall; a woman glimpsed from atop the Wall, with skin as white as the moon and eyes like blue stars. Fearing nothing, he chased her and caught her and loved her, though her skin was cold as ice, and when he gave his seed to her he gave his soul as well. He brought her back to the Nightfort and proclaimed her a queen and himself her king, and with strange sorceries he bound his Sworn Brothers to his will. (aSoS, Bran IV)

The link between these two has been noticed for a long while already by many readers. I am not the first, nor will I be the last. Many readers also often propose that this is a foreshadowing scene or predictive scene that proves that Jon will end up being the Night’s King reborn. To this I disagree for the following reasons:

  1. Jon does not wake in an enchanted forest of the future, but the past. Why do I say this? Jon wakes to the dawn! Which comes after the (long dark) night. This would be the same timing when the historical Night’s King met the corpse queen, after the Long Night, when the Wall was already built (see Timeline Stuff). It seems illogical that George would foreshadow that Jon will become the new Night’s King after the Others are defeated during the present story’s winter.
  2. Since Jon wakes up in the past to a partial re-enactment of the corpse queen’s offer to the Night’s King, this is a test instead of a foreshadowing, which Jon passes with honors, since he refuses to take Gilly with him, let alone take her for  his wife. Jon refuses to repeat the past.

Instead, I will point out that when readers focus on Jon for this scene, they gloss over the obvious casting of Gilly as a parallel to the corpse queen.

It is tempting to regard this as merely a temporarily stand-in role for this particular enchantment scene. But it ought to be noted with much more gravitas, considering that her husband and father is Craster, a partial current Night’s King who sacrifices his sons to the Others. I will show you that Gilly is featured as a stand-in corpse queen at the Nightfort and the lichyard of Castle Black just as well, in a manner that is as obvious as in the frosted forest scene.

In other words, all of a sudden Craster does have a “corpse queen” for a wife, after all. In fact, in contrast to Melisandre, Gilly is repeatedly staged to stand-in for the corpse queen in all the right places.

gilly of the free folk by capraiaso
Gilly of the Free Folk, by Capraiaso

While Gilly is unsuccessful with Jon, she repeats the offer to Sam after the birth of her son and Craster’s death.

“Where?” asked Sam, puzzled. “Where should I take her?”
“Someplace warm,” the two old women said as one.
Gilly was crying. “Me and the babe. Please. I’ll be your wife, like I was Craster’s. Please, ser crow. He’s a boy, just like Nella said he’d be. If you don’t take him, they will.” (aSoS, Samwell II)

And Gilly ends up being smuggled by a brother of the Night’s Watch, Samwell, south of the Wall via the Black Gate into the Nightfort!

Then there was light, and Bran saw the pale thin-faced girl by the lip of the well, all bundled up in furs and skins beneath an enormous black cloak, trying to shush the screaming baby in her arms.
[…]
“Who are you?” Jojen asked the girl with the baby.
“Gilly,” she said. “For the gillyflower. He’s Sam. We never meant to scare you.” She rocked her baby and murmured at it, and finally it stopped crying.
Meera was untangling the fat brother. Jojen went to the well and peered down. “Where did you come from?”
“From Craster’s,” the girl said.
[…]
“How did you get through the Wall?” Jojen demanded as Sam struggled to his feet. “Does the well lead to an underground river, is that where you came from? You’re not even wet . . .”
“There’s a gate,” said fat Sam. “A hidden gate, as old as the Wall itself. The Black Gate, he called it.” (aSoS, Bran IV)

I argued in What Use is a Night’s King under the section smuggling that the corpse queen as Other or magical monster could not have gone through the Black Gate. She took another watery route. But as a human, Gilly can pass through of course.

Notice there are two references in Gilly’s conversation with Jojen, Meera and Bran that echo her conversation with Jon during the enchanting dawn at Craster’s Keep: she’s Gilly for the Gilliflower, from Craster’s. In this manner, George wants us to recall that initial staged scene where we get our first and foremost reference to Gilly standing in for the corpse queen. This time she is not frosting the air with her breath, but said to be pale.

Gilly as a stand-in corpse queen with her baby boy at the Nightfort itself, supports the notion that the corpse queen desired to get south of the Wall in order to get her sons (Others) south of the Wall. It also supports my proposal in From Sandkings to Nightqueens that the thing-that-came-in-the-night was the unglamored monstrous corpse queen, since Bran fears that what he hears coming towards them from the well is that specific monster.

The sound wasn’t coming from outside, though. Bran felt the hairs on his arm start to rise. The sound’s inside, it’s in here with us, and it’s getting louder. He pushed himself up onto an elbow, listening. There was wind, and blowing leaves as well, but this was something else. Footsteps. Someone was coming this way. Something was coming this way. […] Or maybe it wasn’t Mad Axe at all, maybe it was the thing that came in the night. The ‘prentice boys all saw it, Old Nan said, but afterward when they told their Lord Commander every description had been different. And three died within the year, and the fourth went mad, and a hundred years later when the thing had come again, the ‘prentice boys were seen shambling along behind it, all in chains. […] That was only a story, though. He was just scaring himself. There was no thing that comes in the night, Maester Luwin had said so. If there had ever been such a thing, it was gone from the world now, like giants and dragons. […] The footfalls sounded heavy to Bran, slow, ponderous, scraping against the stone. It must be huge. Mad Axe had been a big man in Old Nan’s story, and the thing that came in the night had been monstrous.  (aSoS, Bran IV)

The fact that maester Luwin claimed it did not exist – or that if it ever did was gone like giants and dragons – is actually a tell-tale hint that it did exist, that it still exists, just as giants and dragons do. (see Bran Stark (Part I) – Serwyn Reversed of the Mirror Mirror essay series).

George even inserts a hint to Craster, with the legend horror tale of Mad Axe. The axe is a heavily featured weapon in the aCoK’s chapter at Craster’s, and that is prior to Gilly confirming they “come from” Craster’s.

Craster gave a shrug. “Happens I have better things to do than tend to the comings and goings of crows.” He drank a pull of beer and set the cup aside. “Had no good southron wine up here for a bear’s night. I could use me some wine, and a new axe. Mine’s lost its bite, can’t have that, I got me women to protect.” He gazed around at his scurrying wives. (aCoK, Jon III)

In a second Craster quote about the axe, we even have a Sandking maw reference for his wife, whose mouth is said to be a wet pink cave.

The woman’s mouth hung open, a wet pink cave, but Craster only gave a snort. “We’ve had no such troubles here . . . and I’ll thank you not to tell such evil tales under my roof. I’m a godly man, and the gods keep me safe. If wights come walking, I’ll know how to send them back to their graves. Though I could use me a sharp new axe.” (aCoK, Jon III)

We also have a maw human-eating reference for Gilly as the stand-in for the corpse queen, since Gilly and Sam end up into the kitchens of the Nightfort!

In From Sandkings to Nightqueens, I pointed out how Mel gains power in the eyes of Stannis, after Cressen stepped through the maw-entrance of the feast hall of Dragonstone. The Nightfort’s kitchens represent the same thing.

“Will Gilly be safe if I leave her here till I come back?” Sam asked them.
“She should be,” said Meera. “She’s welcome to our fire.”
Jojen said, “The castle is empty.”
Gilly looked around. “Craster used to tell us tales of castles, but I never knew they’d be so big.”
It’s only the kitchens. Bran wondered what she’d think when she saw Winterfell, if she ever did. (aSoS, Bran IV)

George could have chosen so many locations for Bran and Gilly to spend the night. He could have the well go up in a more logical location. But no, he writes a fake well with an underground tunnel leading into a kitchen, and not just any kitchen but a kitchen where THE ultimate horror story of the Rat Cook is alleged to have taken place!

That was where the Rat Cook chopped the prince to pieces, he knew, and he baked the pie in one of these ovens.  […] The Rat Cook had cooked the son of the Andal king in a big pie with onions, carrots, mushrooms, lots of pepper and salt, a rasher of bacon, and a dark red Dornish wine. Then he served him to his father, who praised the taste and had a second slice. Afterward the gods transformed the cook into a monstrous white rat who could only eat his own young. He had roamed the Nightfort ever since, devouring his children, but still his hunger was not sated. “It was not for murder that the gods cursed him,” Old Nan said, “nor for serving the Andal king his son in a pie. A man has a right to vengeance. But he slew a guest beneath his roof, and that the gods cannot forgive.” (aSoS, Bran IV)

And when it comes to smuggling of corpse queens, remember how we were shown that after Mel (another corpse queen parallel) was smuggled behind Storm’s End’s warded walls, she then was sailed from Dragonstone to the Wall. Gilly too sails, after having been smuggled south of the Wall by Sam: first to Braavos and afterwards to Oldtown.

Oldtown is of special interest. The Hightower is likely warded as well as it is one of the alleged buildings that Bran the Builder helped out with, aside from Storm’s End, the Wall and Winterfell. It certainly leads to interesting possibilities to have Gilly as stand-in corpse queen show up, with a “son”, at Oldtown. Especially, if a rival maw power like Shade can be expected to move onto Oldtown with Euron’s fleet. I will hold off on the speculations for Gilly and Sam for Oldtown for now, because it should be done alongside of Euron’s essay as Night’s King with his Shady queen by his side.

One other final staging clue is the location from where Jon sees off Gilly, Sam and maester Aemon – the lichyard.

The hour before dawn was dark and still. Castle Black seemed strangely hushed. At the lichyard, a pair of two-wheeled wayns awaited him, along with Black Jack Bulwer and a dozen seasoned rangers, tough as the garrons they rode. (aFfC, Samwell I)

It is the sole scene in the published novels so far that actually takes place in a lichyard. And it is here that Gilly proudly declares her identity once again, just as she did inside the Nightfort’s kitchen to Bran and in the enchanted iced forest to Jon.

“As you command, my lady.”
A spasm of anger flashed across Gilly’s face. “Don’t you call me that. I’m a mother, not a lady. I’m Craster’s wife and Craster’s daughter, and a mother.” (aFfC, Samwell I)

This is a unusual display of commanding presence by Gilly. She is almost queenly. So we have a queen of the lichyard, or a corpse queen.

Notice too how she denies being a lady. It is an odd denial, for Gilly could regard it as a compliment (unless she was akin to Arya). But we can comprehend the deeper meaning of the denial much better, once we consider another Lady tied to a lichyard – Sansa’s direwolf whose bones were buried in Winterfell’s lichyard after they were sent to Winterfell from Darry where Ned Stark killed her. As a corpse queen, Gilly is angered by being referenced as a direwolf, or a Stark.

So, we can establish three identity declarations by Gilly in her arc, and in all three she is staged as a corpse queen figure. Why?

Mother’s Milk

If we consider Mel as mostly representing the sorceress aspect of the corpse queen and Euron’s Shade (of the evening) the hivemind abilities, then Gilly stands for the most natural aspect of the corpse queen – motherhood.

Time and time again Gilly is portrayed as either pregnant, nursing or leaking mother’s milk and weeping for the son she loses. Even a monster such as the corpse queen loves her children, nurses them and weeps for them. When Jon scouts the Skirling Pass of the Frostfangs, George writes the following as a description of the icy surroundings.

The Frostfangs were as cruel as any place the gods had made, and as inimical to men. The wind cut like a knife up here, and shrilled in the night like a mother mourning her slain children. What few trees they saw were stunted, grotesque things growing sideways out of cracks and fissures. Tumbled shelves of rock often overhung the trail, fringed with hanging icicles that looked like long white teeth from a distance. (aCoK, Jon)

The name of this icy mountain range that goes as far as the Lands of Always Winter are basically named icy fangs, cruel and hostile to men, that can cut like a knife. And the paragraph compares icicles to long white teeth. And right smack in the middle of those teeth, is the evocative image of a night’s mother weeping or mourning her dead children, which would be Others (her sons) or mini-maws (her daughters). At the heart of the cruel, deadly Others is a mother weeping for the children that were slain in the past. It is as if George is signaling that our maw, the corpse queen, is a mother mourning the Others killed in the past, and her hostility towards men stems from this.

Of course, Gilly is not the sole mother in the series nursing and weeping over children, but not every mother is cast as a corpse queen linked to a Night’s Kinglike figure. Nor is any woman so associated with mother milk, except perhaps Lysa Arryn, whom I have already associated to be tied to an ice spider mother figure in the Plutonian Others.

“Who is Gilly?”
“The wet nurse,” said Lady Melisandre. “Your Grace gave her freedom of the castle.”
“Not for running tales. She’s wanted for her teats, not for her tongue. I’ll have more milk from her, and fewer messages.”
“Castle Black needs no useless mouths,” Jon agreed. “I am sending Gilly south on the next ship out of Eastwatch.”
Melisandre touched the ruby at her neck. “Gilly is giving suck to Dalla’s son as well as her own. It seems cruel of you to part our little prince from his milk brother, my lord.”
Careful now, careful. “Mother’s milk is all they share. Gilly’s son is larger and more robust. He kicks the prince and pinches him, and shoves him from the breast. Craster was his father, a cruel man and greedy, and blood tells.”
The king was confused. “I thought the wet nurse was this man Craster’s daughter?”
“Wife and daughter both, Your Grace. Craster married all his daughters. Gilly’s boy was the fruit of their union.”
“Her own father got this child on her?” Stannis sounded shocked. “We are well rid of her, then. I will not suffer such abominations here. This is not King’s Landing.”(aDwD, Jon I)

At the Wall, Gilly is clarified to be both the wet nurse, wanted for her teats and milk, but as ever accompanied with the reminder that she was Craster’s wife and daughter. And in this scene, it become quite ironic that the one Night’s King figure present regards a corpse queen stand-in of another Night’s King figure an abomination and agrees they are well rid of her.

This scene also reveals Gilly does not just signify the motherhood aspect alone, but it also relates her to a third factor of the use of a Night’s King: binding, or in Gilly’s case bonding. The fact that Dalla’s boy and Gilly’s son both drink her mother’s milk makes them milk brothers. And in truth breastfeeding facilitates emotional bonding, as it releases oxytocin in the body and brain, a hormone that makes us feel connected and loving.

Notice too, how Mel – another corpse queen figure – touches her ruby, when she makes the argument for Stannis to not allow Gilly be sent away with “her son”. As I mentioned already in From Sandkings to Nightqueens, the wearer of one of Mel’s rubies is not merely used for a glamor spell alone, but the wearer or carrier is also bound to Mel in blood and soul: this also applies to Stannis; for his glamored sword has a great square ruby in the hilt. We witness Mel trying to use her magical bond with Stannis, while we are equally told of the bond between two persons because of Gilly’s milk.

It then becomes interesting that Gilly’s nursing is not only tied to feeding sons, but also grown men. Samwell has a dream of a feast at Horn Hill, where he is the Lord of Horn Hill, and when the feast is done, he goes to his old room that he shared with his sisters, only to find Gilly there.

When the feast was done he went up to sleep; not to the lord’s bedchamber where his mother and father lived but to the room he had once shared with his sisters. Only instead of his sisters it was Gilly waiting in the huge soft bed, wearing nothing but a big shaggy fur, milk leaking from her breasts. (aSoS, Samwell III)

Dolorous Edd makes an innuendo to Sam that he would not mind being on Gilly’s teat, while Gilly herself evokes the image of leaking milk.

“Gilly.”
“That’s the one. If my wet nurse had looked like her, I’d still be on the teat. Mine had whiskers.”
[…]
Her eyes filled with tears. “I have to go. It’s past time that I fed them. I’ll be leaking all over myself if I don’t go.” She rushed across the yard, leaving Sam perplexed behind her.(aFfC, Samwell I)

Or how about Samwell actually ending up drinking Gilly’s mother milk when Gilly and him copulate.

The Cinnamon Wind was spinning all around them and he could taste the rum on Gilly’s tongue and the next thing her breasts were bare and he was touching them. I said the words, Sam thought again, but one of her nipples found its way between his lips. It was pink and hard and when he sucked on it her milk filled his mouth, mingling with the taste of rum, and he had never tasted anything so fine and sweet and good. If I do this I am no better than Dareon, Sam thought, but it felt too good to stop. And suddenly his cock was out, jutting upward from his breeches like a fat pink mast. It looked so silly standing there that he might have laughed, but Gilly pushed him back onto her pallet, hiked her skirts up around her thighs, and lowered herself onto him with a little whimpery sound. That was even better than her nipples. She’s so wet, he thought, gasping. I never knew a woman could get so wet down there. “I am your wife now,” she whispered, sliding up and down on him. And Sam groaned and thought, No, no, you can’t be, I said the words, I said the words, but the only word he said was, “Yes.” (aFfC, Samwell III)

And as a result, Samwell bonds to Gilly even more.

[…] so all that Sam could do was struggle back into his blacks. He found them on the deck beneath his hammock, all bundled up in one damp heap. He sniffed at them to see how foul they were, and inhaled the smell of salt and sea and tar, wet canvas and mildew, fruit and fish and blackbelly rum, strange spices and exotic woods, and a heady bouquet of his own dried sweat. But Gilly’s smell was on them too, the clean smell of her hair and the sweet smell of her milk, and that made him glad to wear them. (aFfC, Samwell III)

So, we have two grown men being pictured in a situation where they are breastfed, while Gilly, the corpse queen stand-in leaks milk if she does not feed her children. While readers may consider this some particular fetish of George himself, I consider it a hint to the maw-mobile manner of feeding in Sandkings.

“The mobiles eat pap—predigested food obtained inside the castle. They get it from the maw after she has worked on it for several days. Their stomachs can’t handle anything else, so if the maw dies, they soon die as well.” (Dreamsongs I – Sandkings)

The heart and stomach of the hivemind (the maw) is the sole one able to actually consume food. Her mobiles cannot eat prey, only tear it apart and deliver it to the maw. But the maw feeds her mobiles with a type of pap or sap she secretes. Since the corpse queen is imo similarly a maw, except one in a furry spider shape, she would feed her grown sons, the Others. And the sap she would feed them with is conceptually comparable to milk.

The pair of Craster and Gilly thus make for an interesting couple to learn about the feeding habbits of both Others and the corpse queen: Crasters feeds the corpse queen with his sons, while Gilly shows how the corpse queen maw nurses the Others.

Which then also gives us some insight why George wrote Lysa Arryn to nurses her seven year old son at a far.

“Don’t be afraid, my sweet baby,” Lysa whispered. “Mother’s here, nothing will hurt you.” She opened her robe and drew out a pale, heavy breast, tipped with red. The boy grabbed for it eagerly, buried his face against her chest, and began to suck. Lysa stroked his hair. (aCoK, Catelyn VI)

The maester combed his fingers through his hair, dribbling globs of porridge on the floor. “Lady Lysa would give his lordship her breast whenever he grew overwrought. Archmaester Ebrose claims that mother’s milk has many healthful properties.”
“Is that your counsel, maester? That we find a wet nurse for the Lord of the Eyrie and Defender of the Vale? When shall we wean him, on his wedding day? That way he can move directly from his nurse’s nipples to his wife’s.” Lord Petyr’s laugh made it plain what he thought of that. (aFfC, Alayne I)

And just as a reminder, notice Lysa’s color scheme.

Lysa, freshly scrubbed and garbed in cream velvet with a rope of sapphires and moonstones around her milk-white neck, was holding court on the terrace overlooking the scene of the combat, surrounded by her knights, retainers, and lords high and low.

Lysa and Robin Arryn
Lysa and Robert Arryn, by unknown (contact me so I can credit)

There are many more references for Gilly with nursing and milk or mother’s milk. But those I cited are some of the most important one in certain scenes and unrelated to babies, as a takeaway that Gilly can be regarded as a source of insight about the corpse queen in a physical way. Though Gilly is human and the corpse queen is not, the physical aspects that are heavily featured in Gilly should have their analogy with the corpse queen.

Copies for Children

Which brings me back to Craster and his nineteen wives who are also his daughters: the incest. As other readers have noted, the number nineteen is quite interesting as there are nineteen castles in total along the Wall and according to Tyrion nineteen dragon skulls in the Red Keep.

There were nineteen skulls. The oldest was more than three thousand years old; the youngest a mere century and a half. The most recent were also the smallest; a matched pair no bigger than mastiff’s skulls, and oddly misshapen, all that remained of the last two hatchlings born on Dragonstone. They were the last of the Targaryen dragons, perhaps the last dragons anywhere, and they had not lived very long. (aGoT, Tyrion II)

The Watch had built nineteen great strongholds along the Wall, but only three were still occupied: Eastwatch on its grey windswept shore, the Shadow Tower hard by the mountains where the Wall ended, and Castle Black between them, at the end of the kingsroad. The other keeps, long deserted, were lonely, haunted places, where cold winds whistled through black windows and the spirits of the dead manned the parapets. (aGoT, Jon III)

For those who widen their eyes at the mention of the oldest dragon skull being three thousand years old, keep in mind that not all skulls have been identified, and therefore not all skulls are necessarily Targaryen dragons nor have to date from past the conquest. Some of these skulls might have been carried from Valyria to Dragonstone by the Targaryens before they abandoned Old Valyria, expecting the coming Doom. Maybe the oldest dragon skull is the ancestral, first dragon of the Targaryens if and when they became a dragonriding family at Old Valyria (over three thousand years ago). Maybe it is the skull of a native wild dragon of Dragonstone the Targaryens discovered after they moved from Old Valyria to Dragonstone, or someplace else in Westeros.

It is noteworthy that George chose to have nineteen dragon skulls and nineteen defense forts along the Wall in aGoT. This suggests that the nineteen skulls and forts determined how many wives Craster would have. If Gilly is a stand-in wife for the corpse queen, then we can regard the other eighteen wives as stand-ins for the corpse queen as well. This makes for nineteen mortal enemy pairs for each skull with each corpse queen stand-in and a Wall fortress standing in between each pair to keep them from coming to blows. I suspect the number nineteen itself, originating with the number of dragon skulls, is supposed to match the total Targaryens that will be known in the histories recognized as kings or queens of Westeros, after the times of aSoIaF. The Targaryen dynasty starting from Aegon I the Conquerer up to the Mad King comprises of seventeen recognized kings. Two more are in the running, with each likely recognized as such, if they manage to oust the official Baratheon dynasty and claim the Iron Throne, however briefly: Dany and (fake?) Aegon VI.

This puts forward the possibility that there may have been a total of nineteen maws who were all mothers and sisters to each other. I managed to identify several potential maws in George’s world building and histories of Planetos in From Sandkings to Nightqueens, but there may have been more. In Sandkings, maws do not only reproduce mobiles, but new small maws as well. The four maws that Simon Kress possesses are hinted to be Shade’s spawn. On the one hand, Shade attempts to have those maws taken care of, but also wants to keep them small, so they could never rival Shade itself. We have a potential allusion to this in the backstory of Andalos and Lorath combined. For one, the mazemakers built several mazes on every island of Lorath as well as the nearby peninsula of Essos, right smack in the middle of the region of the proto-Andals – the Axe and Hills of Norvos – from which Andalos and the Faith of the Seven faces of one god (hivemind) expanded. (see From Sandkings to Nightqueens in the section “maws”).

Notice how the Axe as “origin” location for the Andals matches with the often mentioned and featured axe at Craster’s. It even appears in the Night’s Watch finding wighted Othor and Jafer in aGoT, or in combination with the thing-that-comes-in-the-night with the tale of Mad Axe. Or how Tyrion thinks of the Velvet Hills of Andalos, where allegedly seven murderous swan maidens roamed, as teats or breasts.

The Velvet Hills proved a disappointment. “Half the whores in Lannisport have breasts bigger than these hills,” he told Illyrio. “You ought to call them the Velvet Teats.” (aDwD, Tyrion II)

And it are both wet nursing Gilly and velvet-wearing Lysa Aryn who are explicitly featured as breastfeeding children and adult men well beyond their weaning age.

Nor should it then be any surprise then that the rat cook’s tale includes an Andal king being served his own son, or that George employed the sole Andal lord of the North to re-enact the rat cook plot. It is yet another tip off by George that the Andalos became a kingdom founded on cannibalism and the sacrifice of human sons.

Now, I have no further inclination to hunt for more maw-locations in the histories of Planetos in this essay, but instead wish to return to the conceptual notion of Craster and his nineteen wives who are mothers, daughters and sisters to one another. As I have before, on the surface Craster’s wives seem anathema to the Night’s King template of a king-figure wed to one hivemind controlling maw. And yet, it is also an excellent parallel to a maw’s method of procreation. While characters and readers often talk, think or write of a Sandking-maw or an aSoIaF-maw such as the corpse queen as female and mother, it is in fact an asexual self-fertilizing lifeform, using some type of autogamy or parthogenesis. It does not copulate with another entity. In that sense, a maw is genetically genderless, both father and mother to its offspring. This is why Varys as a eunuch works as a stand-in for the corpse queen, and why incestual reproduction in a human family also works as a conceptual parallel.

Genetically, a self-fertilizing lifeform reproduces genetical copies of itself. It is nature’s form of “cloning”. Another novella that George published, Nightflyers, includes a ghostly cold human-hating “mother”. As this is a sci-fi of the 1000 worlds world building, she ended up making a male clone of herself (Royd), who is regarded as her son, but in truth a clone.

“I should not call her my mother,” Royd said. “I am her cross-sex clone. After thirty years of flying this ship alone, she was bored. I was to be her companion and lover. She could shape me to be a perfect diversion. She had no patience with children, however, and no desire to raise me herself. After she had done the cloning, I was sealed in a nurturant tank, an embryo linked into her computer. It was my teacher. Before birth and after. I had no birth, really. Long after the time a normal child would have been born, I remained in the tank, growing, learning, on slow-time, blind and dreaming and living through tubes. I was to be released when I had attained the age of puberty, at which time she guessed I would be fit company.” (Dreamsongs I, Nightflyers)

The passengers on the Nightflyer eventually discover that the ghost of Royd’s “mother” still lives in the controls of the ship, and that she is the one who is behind mysterious murders and accidents. Aside from a cold hatred, she is also showcased to be able to posses the bodies and limbs of the dead to kill the remaining survivors. Royd’s mother therefore is a proto-corpse queen with the ability to control wights remotely.

You can read the transcript with commentary of Nightflyers on the Fattest Leech’s blog, where she too makes the same argument about cloning and what she refers to as self-pollinization: the closest manner in which humans can attempt to reproduce genetic copies of themselves without having access to scientific cloning technologies is through incest. So, when George writes human characters that are to perform a stand-in role for an entity that self-fertilizes, then incest comes the closest to it. 

Naturally, we can then already project that this is partially why George chose for Targaryens to be incestuous. The Valyrian word for dragon is genderless and it is impossible to determine a dragon’s sex unless it lays eggs, which may hatch without fertilization (and thus parthogenesis). The dragon and the spider may be one another’s eternal enemies, eternally divided, but their manner of reproduction is similar – genetical copies.

That is why I think George wrote Craster to have 19 wives who are also his daughters to match 19 dragon skulls, kept from warring one another with 19 forts on a Wall that does not allow Others to pass south, and dragons to fly north.

The Wolf and the Maw
jon snow and ghost by mujia liao
Jon Snow and Ghost by Mujia Liao

I already highlighted how, at a deeper level, Gilly denies being like a direwolf while being staged as the corpse queen at a lichyard in a prior subsection. It is not the first time that Gilly is set against a direwolf or Jon. It occurs several times, from the very moment they first meet. In fact, the same scene where Gilly is staged as corpse queen at Castle Black’s ends with Jon Snow referencing that first meeting in wolf terms.

Jon was watching the wayns. “The first time I saw Gilly,” he said, “she was pressed back against the wall of Craster’s Keep, this skinny dark-haired girl with her big belly, cringing away from Ghost. He had gotten in among her rabbits, and I think she was frightened that he would tear her open and devour the babe . . . but it was not the wolf she should have been afraid of, was it?”
No, Sam thought. Craster was the danger, her own father. (aFfC, Samwell I)

Jon was remembering. “The first time I saw Gilly she was pressed back against the wall of Craster’s Keep, this skinny dark-haired girl with her big belly, cringing away from Ghost. He had gotten in among her rabbits, and I think she was frightened that he would tear her open and devour the babe … but it was not the wolf she should have been afraid of, was it?”
“She has more courage than she knows,” said Sam. (aDwD, Jon II)

Unaware of the fact that Jon forced Gilly to leave her son behind and take Dalla’s with her instead, it is not surprising that Samwell considers only Craster to be the danger in the above quote. Sam lacks the necessary information to understand Jon’s true meaning of his words. Furthermore, Sam’s thoughts about Craster misdirect the reader to the wrong scene between Jon and Gilly in aCoK: the one where Jon learns about Craster sacrificing his sons to the Others while standing in a frozen enchanted forest.

“Is it Craster who frightens you, Gilly?”
“For the baby, not for me. If it’s a girl, that’s not so bad, she’ll grow a few years and he’ll marry her. But Nella says it’s to be a boy, and she’s had six and knows these things. He gives the boys to the gods. Come the white cold, he does, and of late it comes more often. That’s why he started giving them sheep, even though he has a taste for mutton. Only now the sheep’s gone too. Next it will be dogs, till . . .” She lowered her eyes and stroked her belly. […] “Will you take me? Just so far as the Wall—”
“We do not ride for the Wall. We ride north, after Mance Rayder and these Others, these white shadows and their wights. We seek them, Gilly. Your babe would not be safe with us.” (aCoK, Jon III)

That is not the actual scene that Jon is remembering and referencing. Jon alludes to his first meeting with Gilly, an earlier scene of the same chapter.

He was wondering where to find Sam when he heard a shout of fear. “Wolf!” He sprinted around the hall toward the cry, the earth sucking at his boots. One of Craster’s women was backed up against the mud-spattered wall of the keep. “Keep away,” she was shouting at Ghost. “You keep away!” The direwolf had a rabbit in his mouth and another dead and bloody on the ground before him. “Get it away, m’lord,” she pleaded when she saw him.
[…]
The woman regarded them with nervous eyes. She was younger than he’d thought at first. A girl of fifteen or sixteen years, he judged, dark hair plastered across a gaunt face by the falling rain, her bare feet muddy to the ankles. The body under the sewn skins was showing in the early turns of pregnancy. “Are you one of Craster’s daughters?” he asked.
She put a hand over her belly. “Wife now.” Edging away from the wolf, she knelt mournfully beside the broken hutch. “I was going to breed them rabbits. There’s no sheep left.” […] She wiped her hands on her skirt. “M’lord—”
“I’m no lord.” (aCoK, Jon III)

Gilly’s denial of being a lady at the lichyard mirrors their interaction here. At Craster’s Gilly addressed Jon as m’lord, a title Jon denies any claim to. At Castle Black, Jon addresses Gilly as my lady, and she angrily proclaims that Jon should not be calling her that. So, what is the wolf’s threat referred to both in the lichyard at Castle Black as well as the first meeting?

But others had come crowding round, drawn by the woman’s scream and the crash of the rabbit hutch. “Don’t you believe him, girl,” called out Lark the Sisterman, a ranger mean as a cur. “That’s Lord Snow himself.”
“Bastard of Winterfell and brother to kings,” mocked Chett, who’d left his hounds to see what the commotion was about.
“That wolf’s looking at you hungry, girl,” Lark said. “Might be it fancies that tender bit in your belly.”
Jon was not amused. “You’re scaring her.”
“Warning her, more like.” Chett’s grin was as ugly as the boils that covered most of his face. (aCoK, Jon III)(aCoK, Jon III)

Chett and Lark indicate that Jon is a threat to Gilly’s son. Maester Aemon later refers to Jon as Lord Snow and how only as Lord Snow, Jon would be able to make the stone hearted decision to swap babies and separate a child from its mother.

“No. No, that’s wrong. Jon would never . . .”
“Jon would never. Lord Snow did. Sometimes there is no happy choice, Sam, only one less grievous than the others.” (aFfC, Samwell II)

He could not blame Gilly for her grief. Instead, he blamed Jon Snow and wondered when Jon’s heart had turned to stone. Once he asked Maester Aemon that very question, when Gilly was down at the canal fetching water for them. “When you raised him up to be the lord commander,” the old man answered. (aFfC, Samwell III)

So, Chett and Lark were correct to warn Gilly against Lord Snow who would use her unborn son for his own ends – save Dalla’s son. Though neither Ghost or Jon/Lord Snow would ever eat Gilly’s son, it should be noted that Lark’s jape about the wolf fancying the unborn child is yet another hint at Craster’s sons being a food offering.

Now, in the cited scenes Jon and Ghost is mostly featured as a threat to Gilly’s son, rather than Gilly herself. And it is often seen as foreshadowing for a deadly fate of Gilly’s son, nicknamed monster. I will come back to that in the section for the one other surviving character who can be regarded as Craster’s legacy – his son.

But it is not the sole scene where Gilly feels or is threatened by a wolf, physically or metaphorically. There is this scene at the Nightfort:

A shadow detached itself from the broken dome above and leapt down through the moonlight. Even with his injured leg, the wolf landed as light and quiet as a snowfall. The girl Gilly made a frightened sound and clutched her babe so hard against her that it began to cry again. (aSoS, Bran IV)

Here we have Summer frightening Gilly. Bran assures her Summer will not hurt her, and they leave Gilly and her nursing baby soon after to pass through the Black Gate. Summer and Bran indeed cannot pose a direct threat to Gilly or her son, but we should not forget that in this particular scene, Gilly is a stand-in for the corpse queen. It suggests the idea that if the corpse queen detects Summer and thus Bran north of the Wall, she and her sons, the Others, might take a fright, and respond defensively. We do indeed witness wights trying to ambush Bran and Summer, and failing in it, gather more wights in front of the warded cave. And of course, the summer season or the return of it, would scare her.

And then we have this hidden clue, when Jon is given the offer by Stannis to become Lord of Winterfell with Val as his wife. Jon’s thoughts at some point are intruded by Ghost’s, who rejoins him after finding his own way back to Castle Black from the caves where Jon and the Free Folk slept the night before climbing the Wall.

He wanted it, Jon knew then. He wanted it as much as he had ever wanted anything. I have always wanted it, he thought, guiltily. May the gods forgive me. It was a hunger inside him, sharp as a dragonglass blade. A hunger . . . he could feel it. It was food he needed, prey, a red deer that stank of fear or a great elk proud and defiant. He needed to kill and fill his belly with fresh meat and hot dark blood. His mouth began to water with the thought. (aSoS, Jon XII)

“Ah-ah, but there is no Gilly in this scene!” you might argue. Not directly, no. Notice however that Jon-Ghost think of a red deer stinking of fear as needed prey. And Gilly is described as a frightened doe by Samwell, after she flees from Jon’s office who just forced her to agree to swap her son for Mance’s.

“Sam.” Her voice sounded raw. Gilly was dark-haired and slim, with the big brown eyes of a doe. She was swallowed by the folds of Sam’s old cloak, her face half-hidden by its hood, but shivering all the same. Her face looked wan and frightened. (aFfC, Samwell I)

The hunger Jon experiences for a red frightened deer is compared to a sharp dragonglass blade. What a strange item to compare it to. It is not an everyday blade. It is a weapon to slay Others. Tie this hunger to strike a dragonglass blade at fearful deer, with Gilly being compared to a frightened doe, and George conjures the idea of the wolf Jon striking at the corpse queen, and that the corpse queen fears him.

And in a strange way, George even describes Jon as a wolf feeling a hunger for fresh meat and dark blook like the corpse queen. Who else knows how sharp a dragonglass blade cuts? The Others that were killed with it, have not survived to consider how painful it is. But their mother would have experienced it through the hivemind without being killed by it.

Even from this vantage point, Chett’ and Lark’s foreshadowing warnings in the first meeting between Jon and Gilly as a stand-in corpse queen are correct. Jon discovered the cache of obsidian and broken horn with the help of Ghost, passed it around to Samwell and his Night’s Watch friends, and Samwell ended up slaying one of the Others, the maw’s son, by happenstance, and now Stannis and the Night’s Watch know how lethal it is against the Others.

The wolf versus the corpse queen foreshadowing ends with Jon being woken by Dolorous Edd at the hour of the wolf, and Gilly as the queen of the lichyard.

When he woke, he found Edd Tollett looming over him in the darkness of his bedchamber. “M’lord? It is time. The hour of the wolf. You left orders to be woken.” (aDwD, Jon II)

The time for the wolf has come to do what Chett and Lark warned Gilly about: she is forced to leave her child behind.

The point about showing these repeated forewarnings of a wolf as a potential threat to Gilly or her son is to warn readers against speculating about forewarnings for Gilly or her actual baby. It may be in some cases only a forewarning of the threat that Jon poses to the corpse queen and her son(s), the Others. Jon may be a threat to both Gilly and the corpse queen, but also just the corpse queen, or on the contrary just Gilly.

Conclusion (tl;tr)

We have established that Craster is a Night’s King figure by sacrificing his sons, sheep, pigs and dogs to the Others. And there is plenty of circumstantial literary evidence to back up the notion that his sons help to feed the lifeform that is mother to the Others.

Once we recognize that his story role as Night’s King figure is purely one of physical support, we see that not just he but his wives too are key to understand the Others and their corpse queen, the maw, as lifeform in its physical needs and way of procreation.

Gilly is repeatedly cast as the corpse queen:

  • when she offers to be Jon’s wife in a magical frosted forest after the dawn;
  • when she is smuggled inside the Nightfort into the Rat Cook’s kitchen;
  • when she says goodbye to Jon at Castle Black’s lichyard.

As a physical stand-in for the corpse queen, Gilly is mostly portrayed and associated as mother weeping over the son taken from her and nursing not only babies but grown men. From this we can infer that the corpse queen in her own turn secretes a type of sap or pap (mother’s milk) that is food for her adult sons, the Others.

And just like Gilly is a corpse queen, so are her sisters and mothers. In the sci-fi Nightflyer, George uses cloning for the crazy cold mother hellbent on killing humans. In Sandkings, the maws perform some type of self-fertilization (autogamy), which is nature’s version of cloning. And while the corpse queen could certainly be reproducing sons (Others) and daughters (mini-maws) via autogamy, this natural manner of reproduction is impossible for non-magical humans and cloning technology is not available. So, in the fantasy world of Westeros, George has the family of Craster and his 19 wives mimics the corpse queen’s reproduction system commit a form of incest that comes the closest to creating clones.

With Gilly as stand-in for the corpse queen at the Nightfort, we get another suggestive parallel with the thing-that-only-comes-at-Night, since Bran believes that is who is coming nearer to them, when he hears shuffling, stumblind and steps underground drawing nearer to the well.

Finally, Jon is also often cast as a wolf threat to Gilly and her son. This then is not just meant in the sense that he forces Gilly to leave her son behind and swap him for Mance’s, but just as well that the corpse queen should fear Jon and how he may harm her.